Category Archives: wearables

Colorful Coda Coat

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It’s been over 20 years since I last sewed a quilted jacket (see my first quilted jacket, made in 1999 and my second, made in 2003). Quilted jackets seem to be somewhat fashionable this year, and when I saw the Love Notions Coda Quilted Coat pattern I had to give it a try. I saw lots of people using pre-quilted fabric or turning thrifted quilts into Coda coats (some nice examples and tips here), but since I am a quilter, I decided to piece and quilt my own Coda (some nice examples and tips here). I spent hours asking the Internet to show me quilted coats, and finally settled on using a rainbow of bright batik fabric from my stash in a random-looking pattern of squares and rectangles that I designed. I was inspired by several of the quilted coats I saw, including Thread + Sprout‘s rainbow scrappy patchy jacket. Here’s my finished coat – yes it is very colorful and bright, but sometimes I need that! Now let me tell you all about how I made it.

I started with the size small Coda pattern and projected and cut out lining pieces from batik fabric in my stash. I then basted them together to check the fit of the coat. I decided to make a sloped shoulder adjustment, scoop out the back of the neck a bit, and shorten the sleeves by 2.5 inches. I considered shortening the whole coat since I am 5’2″ and it is drafted for someone 5’5″, but I decided I preferred it to be a little longer (and saw that many other sewists were lengthening their Codas). I could have left the sleeves as-is and cuffed them, but figured the quilt would be bulky so decided to shorten so I would not have to cuff.

Next I needed to decide what type of batting to use. I usually use cotton or fusible polyester cotton batting, but was hoping to make a lighter-weight jacket so looked to see what batting people recommended. I noticed that people who wanted a lighter batting often chose silk or bamboo. I ordered both from Battingsupersale.com (first time ordering from them and was quite pleased) and chose their Simply Bamboo batting because it seemed softer and drapier than the silk.

Next I designed my quilt. I drew out my pattern in Affinity Designer and overlayed it on the Coda pattern pieces. Then I started cutting up my fabric and made a stack of the squares and rectangles needed for each section of the jacket. One piece at a time I laid out each section (guided by a print-out of the design), and pieced it with my quarter-inch guide foot. I pressed the seam allowances in opposite directions so they would butt up to each other nicely, and occasionally applied a dab from my fabric glue pen to achieve perfect alignment.

Once I pieced all the sections, it was time to make the quilt sandwiches. I spread out my bamboo batting on the floor and attached the lining pieces with basting spray, which is basically a light-weight repositionable glue (like on a post-it note). This is the first time I used basting spray, and it was a lot easier than I anticipated. It mostly stayed where I sprayed it and did not have a lot of lingering fumes. I then used the lining pieces as templates to cut out the batting. Then I layered the batting/lining pieces on top of my pieced sections, carefully aligned them, and cut them out. I had designed the pattern so that the front and back pieces all aligned so it was important to get everything lined up properly. I did not use spray baste here because I discovered that the bamboo batting was very clingy and stayed in place just fine on its own without any pins or glue.

Now it was time to quilt. After weighing many quilting options, I decided to go for a simple two-inch grid, quilted with a variegated rainbow polyester thread (with the same thread in the bobbin). I used a hera marker and a ruler to mark the quilt lines, and I quilted it using my walking foot. It mostly went well, but I’ve been having some issues with the bobbin tension on my sewing machine and the stitches are not as even as I would have liked.

After all the pieces were quilted I lined up and carefully attached the pockets. I decided not to bind the tops of the pockets and just folded them under and topstitched. Without binding, they are almost invisible since I matched the pattern and the quilting pretty well. Then I surged around all the edges with pink thread that sort of matched most of the lining.

I had previously considered my construction options. Should I quilt the lining with the top and batting or use a separate lining piece? I decided to quilt the lining because I thought it would further minimize bulk. I think its fine, but you do end up with interior seams that you have to treat. I decided to serge the edges, sew with a half-inch seam allowance, and press open. A nicer option would be to bind them, but I didn’t want to bother. Next time (yes there will be more quilted coats) I may just add a separate lining and keep all those pesky seams hidden from view, as some sewists suggest (this tutorial has lots of great tips).

I ended up sewing the shoulder seams and attaching the sleeves, but leaving the side seams unsewn until after I attached the binding so as to avoid having to bind the sharp corner where the front and the back meet.

The pattern suggests making your own double-fold bias binding tape, something I had never done (I usually bind with French-fold binding, as is common for quilts). But I read that making double-fold bias binding tape was pretty easy to do, especially with the help of a cheap bias tape tool. Some sewists even find making binding tape quite enjoyable. Having now tried it, they are not wrong. I used this nifty technique where you start with a large square, cut it into two triangles, mark them lines parallel to the hypotenuse, and sew them together in a staggered way so that you can use your scissors to cut one long continuous bias trip. Then you run it through your bias tape tool and iron and you have binding. I followed this process with 2-inch strips to make half-inch bias binding. It worked great except that I miscalculated and started with a 15-inch square, and ended up with slightly less binding than I actually needed, so I had to stop attaching the binding and go make some more. Next time I’ll probably go with an 18-inch or 20-inch square to make sure I have more than enough.

Once I made the binding, I followed the pattern instructions to attach it to the jacket by first unfolding it and sewing it to the inside, then wrapping it around to the front and sewing it in place. Instead of pinning it to the front I held it in place with a thin bead of Elmer’s washable school glue, and then set it with my iron (you can still easily peel it off, even after ironing). Yes, I have really embraced the use of adhesives in sewing – for this project I used basting spray, fabric glue pen, and Elmer’s glue. Once the binding was in place, I stitched it near the edge, sewed up the side seams, added a label, and I was done.

I tried it on and was fairly pleased with the results, but despite my use of bamboo batting, it was still pretty stiff. I decided it needed to go through a round of washing and drying to loosen it up a bit, shrink it slightly, and turn it into its natural puckered shape. If you never wash a quilt you can keep it nice and crisp, but I plan to wear this one enough that it will need to be washed, so I figured I might as well get that over with now and soften it up in the process. I always have a little bit of fear about washing a quilt though. I tossed it in my washer on delicate cycle with Woolite, and then after a quick spin in the dryer it was ready to wear (and much more comfortable now).

This project took a bit longer than most of the clothes I make because first I had to make a quilt and then turn it into a jacket. It would be much faster with pre-quilted fabric or cutting up an old quilt. But I really enjoyed both the process and the very colorful results!

Fire spinning skirt

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My daughter joined a fire spinning club and has to wear 95% cotton or wool clothing while playing with fire. Personally, I would go with tight jeans in this situation, but she doesn’t like to wear jeans. I previously made her a pair of black cotton french terry pants (which apparently I never photographed), but a few weeks ago she emailed me that she wanted a black skirt, and sent a sketch of what she had in mind. She wanted a midi-length skirt with a slit on the right side, but in several inches from the side seam so that she could dance in it, ideally pockets, and a waistband that wouldn’t move around. She wanted the skirt to have a little bit of swish, but not so much fabric that it would be a big fire hazard.

I decided to use the Pattern Emporium Heartlight skirt pattern, which I previously used to make a short skirt for myself, modified to have pockets. I used the size AU 10 pattern with AU 8 waistband, just as I had made for myself. I used about 2 yards of 95% cotton/25% spandex black jersey fabric.

To achieve the slit I split the front panel of the skirt into three pieces. I drafted pocket bags that I could anchor between the side seam and the interior front seams, with top diagonal pocket openings. I’m showing the front pattern piece in the figure below, divided into three, with the pocket pieces laid over it. The pockets fold up at the green dashed line. (I know she only asked for one pocket, but once I figured out that I could anchor them in, I decided to give her two.)

I sewed up the left seam but only sewed the top 10 inches of the right seam and then serged the raw edge of both sides of the slit and top-stitched them down. After she tried it on and found the waist not as secure as she wanted, I threaded elastic into the waistband.

She says it is exactly what she wanted for her fire spinning performances and she likes it so much that she will wear it even when she is not performing.

Adjustment!

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I’ve spent the past few months pondering back and shoulder adjustments and trying them out. While making my first Wanderulst dress I realized I needed a swayback adjustment to remove the extra folds of fabric at the back of my waist. But I also noticed that my shoulders slope down quite a bit so I tried a sloped shoulder adjustment as well in my second and third Wanduderlust dresses.

I also noticed that my Sinclair Bondi t-shrts and sweaters didn’t look as good in the back as they did in the front. Here’s one that I made recently in size 6p from rayon/poly/spandex plum sibley brushed sweater knit from Surge Fabrics. The fabric is super soft and stretchy and it fits reasonably well but you can see some minor issues in the back.

Then I made a Bondi sweater with the sloped shoulder adjustment from a washable wool with only about 25% stretch. I noticed that I have more significant drag lines under my arm pits in the back, probably due to the fact that this fabric is not very stretchy. I posted photos in one of the online sewist Facebook groups and someone pointed out to me that my shoulders are both sloped and broad. I set up my cell phone behind me transmitting its camera image to my laptop so I could study my back, and tried on a bunch of different tops and jackets so I could see what was going on.

I made a Bondi t-shirt in size 6p with both sloped and broad shoulder adjustments (and bishop sleeves) from an aqua wide lush poly-spandex fabric from Mily Mae. This was better, but the drag lines were not completely gone.

After studying the black ponte Onyx blazer I made a few months ago, I eventually noticed that the top of the shoulder seam was not actually at the top of my shoulder and had a tendency to slip down my back. I realized that when I pulled my shirt or jacket forward to get the shoulder seam where it belonged, it tended to bunch up around my neck. And this is why I find it uncomfortable to wear most jackets with collars! I thought perhaps what I needed was a forward shoulder adjustment, which involves basically taking the top of the shoulder from the front pattern piece and moving it to the back. I went into Affiinty Designer and moved an inch of the Bondi tshirt pattern (already adjusted for sloped and broad shoulders) from the front to the back and cut out another tshirt. I didn’t take a photo, but the results were not great.

I decided to stick with the sloped and broad shoulder adjustment for my next Bondi in size 4p, made from purple (looks like magenta) monaco rib poly/rayon/spandex from Mily Mae. I think it came out pretty well, despite some minor back issues. I think I’m done adjusting the Bondi for now.

Pocket Onyx, more shoulder adjustments, and why the type of interfacing matters

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I made another Onyx blazer, this one hip length in charcoal grey ponte (charming heather legacy ponte from Zelouf) with pockets. I tweaked the pattern some more before I cut it out, this time to add a simple sloped shoulder adjustment (in addition to the round-back adjustment and small-bust adjustment I made on my purple cropped Onyx). I noticed that when I raised my shoulders (as in a shrug) the drag lines I saw on the back of my purple Onyx mostly disappeared. So I lowered the outside point of the shoulder by .75 inch and adjusted the shoulder line on the center and side front and back pieces accordingly. Then, I lowered the armscyes to meet the lowered shoulder point, ensuring that the size of the arm openings did not change. This reduced the excess fabric from the shoulder area that had been pooling around the armscye and helped reduce drag lines on the back. The fit of the back is now about as good as I’m going to get so I will stop tweaking and use this going forward. I made a size 4 hip length, shortened by two inches. I reduced the height of the pockets by only about .5 inches and made them a tad narrower to fit the shortened side-front pieces.

For the purple Onyx, I cut the facing pieces using the front-center pattern piece so that I could sew them down when I top stitched the front seams. I used a lightweight fusible interfacing with no stretch. I noticed that the interfaced facing shrunk a little bit, making it more difficult to attach smoothly, but I made it work. However, on the grey ponte, the lightweight interfacing was a complete disaster. When I clipped the facing to the front center pieces, I found the facing was about an inch shorter. I tried to make it work but it was clearly not happening. Then I remembered that I had tricot interfacing (Superpunch Fusi-Knit White HTC1300), which has some stretch to it. So I cut new facing pieces and fused the tricot interfacing on, with the stretch running vertically. This time the facing did not shrink and everything went together the way it was supposed to! This was a great lesson in selecting the right interfacing for the job.

I did most of the sewing on my serger but I used my sewing machine with my quarter-inch edge foot to do the stay stitching, basting, and top stitch the front and back seams. I used my regular edge foot to top-stitch the tops of the pockets. I sewed the arms to the bodice with my sewing machine before serging, and I made sure to start and stop the serged seam in the armpit. As with the purple Onyx, I sewed the center back seam with my sewing machine, pressed it open, and then topstitched a quarter inch on either side of the back seam. This makes for a nice flat seam that looks very nice.

I used fusible hem tape on the bottom hem and sleeve hems before sewing. I also used it to hold the facing edge in place before top-stitching. I used a glue stick in a few places to keep pieces aligned before sewing.

Ponte is a comfortable fabric to wear, washes well, and resists wrinkles, snags, and pills. The charcoal grey should go well with a lot of things and I expect I will wear this one a lot. The pockets are a nice convenience too, although I probably won’t routinely put my phone or anything heavy in them as it will stretch the ponte. The hip length is just long enough to cover an untucked shirt, which makes it a pretty versatile length to wear with a lot of things. Here I am modeling it with black ponte PE Urban Wide leg pants and a Sinclair Bondi top in plum brushed sweater knit. The jacket also looks great with the PE Urban Wide leg pants I made previously in the same charming heather ponte fabric.

Summary of modifications to size 4 hip-length pattern with pockets:

  • Small-bust adjustment (performed by redrawing the inner curve on the side-front pieces to have less of a contour and then shortening the center front pieces to match the length of the new curve)
  • Sloped-shoulder adjustment (3/4 inch)
  • Round-back adjustments (2 5/8-inch adjustments near top and bottom of arscye)
  • Deepen back neckline by about 3/4 inch and adjust back facing
  • Shorten bottom hem by 2 inches
  • Shorten sleeves by 2 inches
  • Shorten pockets by 1/2 inch and adjust width to match width at hem line
  • Cut facing and interfacing from front-center pieces instead of facing pieces

Cropped Onyx Blazer

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After making my tulip Onyx Blazer, I went down a rabbit hole of fitting adjustments. My first Boo & Lu Onyx fit reasonably well, but seemed too loose in the back. After much experimentation and sewing up an entire muslin of the hip-length version with pockets out of an old couch cover, I came to the conclusion that 1) a size 4 would fit me better than the size 6 that I sewed and 2) I need a round back adjustment. Although I have recently also discovered that I need sloped shoulders, broad shoulders, and sway back adjustments on some patterns, it wasn’t clear that these were needed here so I decided to proceed with my cropped purple scuba suede Onyx without these adjustments, although now I am reconsidering.

I finished the blazer yesterday and it was warm enough this morning to snap a few photos outside before I walked to work.

I started with the size 4 pattern, opened it in Affinity Designer, and added two 5/8-in round back adjustments near the top and bottom of the armscye. I had added a small-bust adjustment to the size 6 version that was a bit difficult to execute and did not result in the contour I really wanted. I read in the Boo & Lu Facebook group about an alternative SBA that involved simply redrawing the inner curve on the side-front pieces to have less of a contour, and then shortening the center front pieces to match the length of the new curve. This was easy to implement. I also slightly lowered the back neck line (I find this more comfortable, in part due to the round back issue) and adjusted the neck facing accordingly. I used the crop length and extended it by two inches so that it wouldn’t be quite so short. I shortened the sleeves by two inches because I am short and have short arms. Finally, instead of using the front facing pieces, I cut extra center front pieces to use as facing. This allowed me to solve the problem of the front facings not lying flat by stitching them down when I top stitched all the seam joining the side and center front pieces.

I cut out my cropped onyx from leftover purple scuba suede I had used to make a Sinclair Alana dress two years ago. This fabric is thick and stretchy, so wasn’t the easiest to work with. I fused ultra-light interfacing to the facing pieces, which stabilized them. However, even though I had stay-stitched as recommended, it was still difficult to join the facing pieces to the front pieces that did not have interfacings as the front pieces had a tendency to stretch more than the facing pieces I was trying to match them with. I had to unpick and resew one side twice until I got it right. I also wasn’t able to achieve a really sharp edge. After it was all sewn together I topstitched along the front and back seams, using my quarter-inch edge foot as a guide. My first attempt at this was a mess — the lines weren’t straight and the facing didn’t fully catch in the stitching. I unpicked the top stitching and used Steam-a-Seam 2 fusible tape to glue the edge of the facing to the inside seam it was supposed to align with. Then I carefully redid the stitching and it came out much better.

I’m pretty happy with the end result. It fits better than my first Onyx and the fabric is fun. The length works really well with dresses, but as you can see here it also works with pants. I don’t think this length looks as good with shirts not tucked in though, so I’ll probably make a longer one. It does go perfectly with the dress I made from the same fabric. The rounded back adjustment and lower back neck were a good improvement that makes the blazer more comfortable to wear and keep the back closer to my body. I feel like there is still something more I should be doing on the side back pieces to reduce the drag lines pointing to my armpits (which were not as prominent on my muslin, but maybe because it was made from a woven fabric with less drape). Maybe I do need a sloped shoulder adjustment? Also note that the front is fairly open in the photos and so you can see some fabric bunching under the right arm. When I pull the front pieces closer together that goes away.

Even though I didn’t do any of the fancy seam finishes, I do like how the seams look on the inside, sewn with my serger and neatly top-stitched in place. I did sew the center back seam on my sewing machine and serged the edges so that I could press it open.

Now that I have a collarless blazer pattern that fits pretty well, I want to make more! (But maybe keep trying to address the back drag lines with a sloped shoulder adjustment?) Next up, the hip-length version with pockets.

My new best (sweater) friend

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Winters in Pittsburgh are generally relatively mild, but we’ve had more cold days than usual this winter, and the forecast for this coming week predicts more snow and below-freezing temps. I like the instant gratification of sewing in-season items that I can wear right away, so I tend to only sew warm sweaters in the winter and lightweight dresses in the summer. I bought a whole bunch of heavy sweater knits on sale at the end of last winter and only sewed some of them before it got too warm to contemplate wearing them. I was in the middle of futzing with suit jacket pattern adjustments, but decided this week’s forecast called for a new heavy sweater: Something warm and snuggly that can be thrown on over multiple layers and worn on repeat both around the house and outside.

I’ve previously made three Pattern Emporium Sweet Cheeks “roomy” sweaters. But I sized down three sizes to an AU4 and made them all at the cropped length so that they wouldn’t be so roomy. I made a brown mid-scoop neck and a green v-neck out of brushed hacci knit and a purple v-knit out of stretch sweatshirt fleece. This time I decided to go full-on roomy, slouchy and made my normal AU10 size hip length and with a v-neck. I made the pattern without any adjustments other than shortening the sleeves by 1 inch and slightly reducing the diameter of the wrist bands. I used Morraine double cashmere sweater knit from Surge Fabrics in the kelp color. This is a soft 320 gsm 44.5%Rayon/35.9%Poly/19.6%Nylon fabric with 4-way stretch. I used matching Banff ultra thinck 1×1 rib sweater knit for the v-neck, cuffs, and bottom band. (I like the kelp color, even though it isn’t purple. My daughter has a thrifted wool sweater in this color that she wears constantly and I had to darn it when she was home over winter break.)

I cut the sweater out yesterday morning and sewed it all together after dinner. I’m getting better at making all the bands, but they still take some effort. My normal size is, indeed, very roomy, but not too roomy. I think going one size down would still be roomy enough, and if I was using a lighter-weight fabric I think I would want to size down. The hip length gives a very different look than the cropped length, and I like them both. I’m modeling these with PE urban tapered pants in black ponte, but they also look great with leggings or jeans, including my wide-leg cargo jeans for a totally relaxed and slouchy look. (Also, I made the necklace at a ceramics party a few years ago.)

Pocket scarf

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I had carpel tunnel release surgery on my left hand this week (I did the right hand a month ago), and its healing well but I have to keep it bandaged up for a week. A polar vortex is forecasted here for the coming week and I was concerned about not being able to fit a glove over my left hand. I thought about sewing a large mitten, but I saw the free pattern from Sinclair for a Mojo scarf with pockets, I decided to give it a try. I do, after all, like to put pockets on everything. The pattern comes in Sinclair’s full range of sizes, in a narrow and wide width, and with the option of adding a hood, ears, and cape. I went with my usual size 4p, narrow width, and hood. I decided I didn’t need a cape and ears, although those could be fun too.

I used leftover Polartec sweatshirt fleece from a sweatshirt I made recently, and sewed it with the fuzzy side out. The fabric is about 70 inches wide so I cut the length of the scarf as one piece and chopped off some of the end for a pocket. This resulted in a scarf that was slightly too short, so when I realized that I added three inches on to each end. You can see the extra seam near the bottom of the back of each pocket.

It was pretty straightforward to sew, but took longer than I expected. I guess it is just a lot of fleece and layers to sew as everything is double-layered, which makes it warm and reversible with a nice clean finish. I sewed almost all of it on my serger (except for some basting, topstitching and closing the seam in the back after I turned it right-side out), and was glad to have a machine that could easily sew through so many layers of plush fleece.

I didn’t know a darn thing about darning

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My daughter came home with a hole in the elbow of her favorite wool thrifted sweater and asked me to fix it. I wasn’t very successful with my first and only knitting project back in high school and haven’t tried knitting anything since, but I understand the basic principles involved. I’ve also never darned anything before. The easy thing would have been to just use my sewing skills and sew the hole closed, leaving a bit of a “scar.” I didn’t know a darn thing about darning, but gosh darn it, how hard could it be?

I only had blue, pink, and purple yarn on hand so I “borrowed” some green yarn from a friend. I didn’t really match but my daughter deemed it close enough.

I checked with the Internet and discovered that the technique I should use is called “Swiss darning” for repair, which replicates the damaged knitting stitches. An alternative approach is to fill in the missing stitches with weaving, but Swiss darning looks much nicer. I found some online tutorials that showed how to do this using thread to provide a vertical scaffolding for the stitches. And then I found this video that offered an alternative approach that looked completely magical: https://www.reddit.com/r/oddlysatisfying/comments/17gmbmd/mending_a_sweater/ (watch the 1 minute 25 second video it is amazing!) I decided to try it. It took me closer to half an hour and I did rewatch the video several times. I didn’t have exactly the right colored thread, but with a latch hook and a yarn needle I achieved something I am darn proud of on my first try! My daughter was pretty happy with it too.

And here’s what it looks like on the other side.

Boo! (& lu Onyx blazer)

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I’ve collected a few Boo & Lu PDF sewing patterns but had not gotten around to sewing any of them until now. I’ve been thinking about sewing up the Onyx blazer since it came out because it has princess seams for nice shaping, can be made in either knit or woven fabrics, and it is collarless. I have a closet full of blazers with collars, but over the past few years have found that blazer collars are increasingly uncomfortable on the back of my neck so I’m looking to expand my collection of collarless blazers, which it seems are harder to find (both ready made and in patterns). The Onyx also has several options, including a hip-length version with optional pockets, a peplum version, a tulip-bottom version, and a cropped version. I may eventually try them all. The pattern also includes options for bows on the back of the blazer. While they are cute, I am less likely to add them to a blazer for me to wear. There is a kid’s version of this pattern and I think the bows would be super cute on a blazer for a child.

I started with the tulip version since it looked like a style I would likely wear a lot and it looked like I had enough leftover black ponte fabric from a pair of pants to make it. It has a lot of pieces, but they are all fairly small, so I was able to make good use of some of the scraps. This version requires only a little bit more than a yard of fabric (assuming ~58 inch width) in my size. I made a size 6, with a 1/2-inch small bust adjustment and sleeves shortened by 2 inches. (And it matches the pants — PE Walk Boldly — so now I have a suit!)

Boo & Lu Onyx blazer, size 6 with tulip bottom in black ponte, modelled with Sinclair Bondi top and PE Walk Boldly pants

The pattern includes a lot of instructions and notes, including suggestions for a full bust adjustment and small bust adjustment. In my case, I needed a small bust adjustment, something I had never attempted previously. The pattern has step-by-step instructions for the full bust adjustment, and then suggests doing the opposite for a small-bust adjustment. Most online tutorials take a similar approach. Bust adjustments are somewhat complicated as they involve making adjustments to a flat pattern piece designed to fit a round part of the body. Generally, you take paper pattern pieces and cut them apart and tape them back together. Since I am working with projected PDF files, I figured I should be able to do this electronically in Affinity Designer. I found an AD tutorial that explained how to do full bust adjustments. After watching the tutorial I attempted to follow the steps on my own, except the opposite. I realized that my AD skills are still fairly poor, but I learned quite a few things about using AD in the process — I should really watch more AD tutorials when I get a chance! I had trouble getting my head around how to execute this adjustment in the opposite direction, but after a lot of puzzling, I eventually figured it out and completed an adjustment that seems to have worked out ok.

I projected my pattern pieces with the adjustment and cut out the Onyx tulip pattern with no other adjustments. I knew the sleeves would be too long (they always are unless the pattern comes in petite sizes) but decided to cut the full length and adjust the sleeves on the finished garment after I tried it on.

The pattern has 3/8-inch seam allowances and offers five options for finishing the seam allowances. I chose the easiest, which was to just surge all the seams with a 1/4 seam allowance, trimming off 1/8-inch as I went. Since ponte is a knit, this works well and with all black fabric and black thread, it looks fairly neat too, although of course not nearly as nice as a bound seam allowance. The main downside is that ponte is fairly thick fabric and it would have been nice to be able to press some of the seams open rather than having them pressed together to one side. I think if I make another Onyx in ponte or other heavy fabric I might take the time to serge all the edges (without trimming) that will be seamed and then sew the 3/8-inch seam allowance on my sewing machine. But I am somewhat of a lazy sewist, so then again I might not!

For the most part, the blazer went together fairly easily, but I struggled a bit with attaching the sleeves. The pattern has great instructions and everything is nicely marked, but I still somehow clipped everything together backward, but realized something was off before sewing. I eventually figured it out, clipped everything together properly, and basted it with my sewing machine. Then I serged it together, but made the mistake of starting and stopping at the shoulder, which made it more difficult to smooth out the shoulder line. Next time I will start and stop in the armpit — or maybe just do this on my sewing machine and skip the serging.

Another problem I ran into was one of the front princess seams not lying as smoothly as I wanted. At first I thought it was a pressing issue, but after pressing again I realized one of my seams actually had an unwanted dip in it — it was only off by about an eighth of an inch, but it was enough to cause a noticeable bump in the princess seam right in the middle of the bust line. I resewed about 3 inches of seam on the correct seam line and that fixed the problem.

The instructions noted that the facings might not stay smoothly in place, and indeed mine did not. I tried their suggestion of fusing them in place with a few small pieces of fusible hem tape, and that did the trick. The interfacing I used on my facings was some leftovers from another project that I grabbed, and it was more of a medium weight than a lightweight interfacing. Next time I might try a lighter-weight interfacing.

Attaching the tulip pieces was fairly straightforward except for lining the corner of the tulip up with the front facing. Perhaps due to my heavy fabric and interfacing, I could not get the tulip corner aligned perfectly. I did try unpicking a few stitches at the bottom of the facing and clipping the corner, but it is not aligned as well as I would have liked. This is one downside of the tulip version that should not be an issue in the cropped or hip-length version of this pattern.

I made good use of several feet on my Bernina sewing machine. The patchwork foot with guide made the quarter-inch top stitching around the edges very easy. I also used my darning foot to stitch in the ditch to hold the facings down and my edgestitch foot for the sleeve hems.

Overall, I liked the instructions in the pattern and found the suggestions and photos helpful. I did find a couple of things that are probably errors. On page 11 the finished measurements for the four variations appear to be mislabelled. The crop version has the longest length, but clearly it should be the shortest. Even accounting for that, my finished garment was about an inch shorter than the measurements would suggest. The other error is on page 71 where dark lines are drawn on a photo of the facing to show the raw edges finished with a serger. I believe the lines on the top of the neck facing should be on the bottom of the neck facing.

The blazer fits me well and goes well with both pants and dresses. It has a really nice tailored look, but is less work than a fully lined tailored blazer. I expect I will wear it a lot. When I took photos of the back (see below with PE Walk Boldly pants in black and PE Urban Wide Leg pants in purple, Sinclair Bondi top) I did notice some drag lines beneath the back shoulders. After pondering the cause, I believe it is likely a shoulder slope issue so I plan to try a muslin with a sloped shoulder adjustment and see if it helps before I make another one.

I’m looking forward to making more Onyx blazers. I’m planning out a ponte suit in a bright color with matching wide-leg pants. I’ve already worked out how to cut the blazer and the pants out together from 3 yards of fabric. I love the length on the tulip version, but would also like to try the hip-length with pockets (I will certainly have to shorten it though). The cropped length is fairly short, but I might make it specifically to wear with a dress, and I might round the front corner more similar to the tulip version. The peplum version is also cute, although wonder if it will be too poofy around my waist. I could also see lengthening the cropped version to be the same length as the tulip version…. so many options!

(It’s too cold outside for outdoor photos now so will have to make due with indoor fashion shoots. I’ll try to improve the lighting though.)

Still sweet

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I was so pleased with my Pattern Emporium Sweet Cheeks cropped v-neck sweater in sweatshirt fleece that I decided to make another one in brushed hacci. This time I used the peat moss color of the versailles brushed hacci sweater knit from Surge Fabrics. This is the same polyester/spandex fabric I used previously for the scoop neck version in a different color. It is brushed on the inside so it is super soft and cuddly. Once again I sized down from an AU8 to an AU4 so it would be less oversized.

It was still a lot of work. I love the split hem band detail, but it takes some effort for proper alignment. The v-neck and the arm bands also take some time. That said, I did finish it all in one day yesterday (even with only limited use of my right hand after surgery) so it didn’t take that long and the instructions are very good.

One thing I like to do that isn’t in the instructions is to zigzag over the raw edges of the bands with a wide and shallow stitch before attaching them to keep the layers of fabric aligned and prevent them from curling under. It takes a little bit of time but saves having to unpick and redo when a layer slips out of place (which has happened to me multiple times on other projects). I’ve seen fabric glue recommended to do the same thing and I’ve tried it and found it doesn’t work as well for me as you have to wait for the glue to dry and on some fabrics it doesn’t seem to hold well.

Triumphant!

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In August 2023 I bought my first serger, a Brother ST4031HD that I bought on Amazon for $379.99. I paid a $100 premium for this “heavy duty” version rather than the very popular Brother 1034D, which is a very similar machine but known to struggle with serging fleece and heavy fabrics. Even so, it is still on the low end of serger pricing but offers pretty good bang for the buck as far as being a perfectly functional serger at a very reasonable price point, that is not too difficult to thread because it comes labeled with a color-coded threading system.

Even with the color coding, there was definitely a learning curve to figure out how to thread it and I did have to watch the YouTube video multiple times and use the tweezers it comes with. And sometimes I had to fiddle with the four tension adjustment knobs. And I did try to just use grey thread for as long as possible so I wouldn’t have to rethread the machine very often. And the machine sure does make a racket. Even so, I would probably have been content with this starter machine for quite some time, except that about a year after I bought it, I did something I shouldn’t have and broke it. I’m not actually entirely sure what I did, but in the process of disengaging and re-engaging the knife blade, I managed to swing the knife around into a position that it should not be possible to get it into and the only way I could figure out to get it out was to unscrew the blade, take it off, and put it back on again. I did that, but the knife would not cut any more. I took it off and put it back on again multiple times and then brought in my husband to try. He could not get it to work either. We inspected the blade and saw no signs that it was broken, and yet, it would not cut. I tried to order a replacement blade and found that the official replacement blades for this machine are very difficult to get and cost over $100.

So I took the machine to a sewing machine repair shop and asked them what to do. They refused to accept my “disposable” serger for repair, telling me that their minimum price for putting it on their repair bench would not be worth it for such a cheap machine. I did get the repair technician to take a peak without putting it on his repair bench, and he couldn’t find anything obviously wrong with it but thought it couldn’t hurt to try changing the blade. The repair place also sold sergers so I took a look at a couple of Baby Lock sergers they had on display and was intrigued.

When I got home I went back to searching for blades and found that inexpensive blades that fit other Brother models, such as this one, reportedly worked with the ST4031HD even though they were not advertised for that machine. So I ordered a new blade for $13.98 and then browsed the Baby Lock website. (We eventually fixed the Brother serger after my husband realized that the knife holder had been upside down when we screwed in the knife — it had appeared symmetrical but he finally noticed that it wasn’t. We rotated it 180 degrees and everything worked fine. But by that point I had already ordered a new serger.)

I started reading about Baby Lock sergers — they all have really positive sounding names. I started with the inexpensive Baby Lock sergers and worked my way up. Each machine had more features and I wanted all of them. Air threading, YES. No tension adjustments, sign me up. If I’m going to buy a new machine I want one that doesn’t require tweezers to thread or tension fiddling for every different kind of fabric. I was ready to buy a Baby Lock Victory (list price $1,649) but then I realized that it’s threading was only partially automatic. The Acclaim (list price ($2,749) had a more advanced threading and tension adjustment system. But then I realized if I went up a step to the Accolade (list price $3,849) I could also get cover stitch features. I had considered previously whether to get a serger or a combo serger/cover stitch machine, and settled on just a serger because the reviews of most of the combo machines complained that it was too much of a hassle to switch machines between serging and cover stitch mode. But, if the machine could thread itself automatically, maybe it wouldn’t be so bad. Maybe I do want a combo machine. I kept reading the web site and finally got to the ultimate Baby Lock serger: the Triumph (when they inevitably come out with a new model that is better than this one, what will they call it?). It is a combo machine with all the features of the Accolade, and a few extras, but most importantly, it has a knee lift. My Bernina sewing machine has a knee lift that I absolutely adore. It let’s me raise and lower the presser foot with my knee, without having to take my hands off the fabric. Since I use the same leg to run the peddle, I never accidentally start sewing without lowering the presser foot. In contrast, my Brother serger does not have a knee lift and I regularly forget to lower the presser foot, start sewing, and end up with a nasty thread nest. The knee lift sold me on the Triumph, but I was taken aback by the $5,499 price tag (typically available for about $500 less at sewing machine stores) — and the fact that buying all the accessories I might want for it would cost even more (another $1,500 or so).

I decided to read some reviews of Baby Lock sergers and watch some videos to see how easy or difficult they looked to use. I stumbled upon a review titled “Was it Worth it? Why I bought Babylock Accolade Serger Coverstich Machine” by Jessica Capalbo. I don’t know if Jessica gets a commission from Baby Lock, but by the time I got through her 6-minute video, I was completely sold. Besides her account of how much easier it was to sew with a high-end serger, her justification to spend the money on a serger if your hobby is sewing since other people spend money on ski vacations, completely resonated with me. I would have bought an Accolade right then and there, but I really wanted that knee lift, which required stepping up to the top-of-the line Triumph. In some of the Facebook sewing groups, people had mentioned getting good deals on refurbished Baby Lock machines so I checked out eBay, and sure enough found several Triumphs for sale. I found one in excellent condition that came with all the books and almost every extra foot (in a handy carrying case) and accessory that Baby Lock makes for this machine (not including a trolley — it is huge and if you want to take it anywhere you really do need a trolley with wheels) plus a DIY 3D printed thread bin that someone had made as the machine doesn’t come with a thread bin, all for $4,128.95. I decided to buy it, and a few days later it arrived on my doorstep.

(Incidentally, I briefly also considered the Bernina L-890, which is a similar high-end combo machine that also has a knee lift. People seem to really like the fact that a lot of the control is through a touchscreen with good instructions. But it’s list price is $7,999 and it’s fairly new and so it doesn’t have much of a used market.)

The first time I threaded the Triumph, I followed the instructions in the manual very carefully. It took some time to fully understand some of the diagrams, but once I understood what I needed to do I succeeded in threading it properly with four spools of black serger thread on my first try! With just a few adjustments to stitch height and width, I produced nicely balanced 4-thread serging stitches. I immediately noticed that the Triumph was much quieter than my Brother serger and sewed much more smoothly. I had two pairs of black pants cut out so my first project was to sew them.

After my triumphant first projects, I was traveling and busy for a couple of weeks. My next project was to serge the unraveling edges of a green shawl that a friend brought me. I showed her my Triumph, unthreaded the black thread, and started trying to thread the green thread. Only this time I didn’t read the manual carefully enough and inadvertently skipped some essential steps. I had to unthread and rethread a couple of times and learn how to change the needles after I broke one. But eventually I got it sorted out and produced a beautiful serged edge. After my friend went home I unthreaded and rethreaded the Triumph twice to make sure I could do it. I would say it is still not completely trivial and I could still easily forget a step, but threading a serger completely without the use of tweezers and having it sew perfectly without any tension adjustments is really awesome.

I mastered 3-thread and 4-thread overlocking with the Triumph and then tried stitching down quarter-inch clear elastic by threading it through the slot on the standard presser foot — it was very easy! I sewed two pairs of Pattern Emporium Urban tapered pants (from black ponte and grey Polartec sweatshirt fleece), a double-knit Sinclair Alana dress, and a Pattern Emporium Sweet Cheeks sweater from purple Polartec sweatshirt fleece.

I read through the accessory book and watched a video on using the overlock table and fabric guide accessories and gave them a try. The table has a slot for the serger knife and gives you a bigger surface for serging and allows you to use accessories that normally would not work in overlock mode. The fabric guide makes it easier to sew a straight and consistent distance from the edge of the fabric. It will be quite some time before I figure out how to use all the other feet and accessories, and even though in theory you can sew with 8 threads at the same time, I probably won’t try it any time soon.

I finally worked up the courage to try cover stitching. This requires getting the included small screwdriver out of the convenient side compartment, unscrewing and removing the two needles, moving the needles over into cover stitching position and screwing them back in. While I was at first taken aback by the need to use a screwdriver and move the needles to switch back and forth between serging and cover stitching, it was actually pretty easy to do. It is easy to align the needles and see whether they are properly in place before screwing them in, and if you accidentally drop one while screwing it in there is a convenient drawer with a magnet to catch the needles that slides out from the bottom of the machine so you can retrieve the dropped needle without having to open or lift the machine. I selected the wide cover stitch and followed the instructions to setup three spools of thread. I sewed some practice cover stitches on some heavy sweatshirt fleece and admired the results. Then I tried a stretchy rib knit and was not as happy. After adjusting a few settings I decided that this stretchy fabric would be better off with a narrow cover stitch. I moved one of the needles and rethreaded it and tried again, and was pleased with the results. When I was done cover stitching I moved the needles and threads back to serging position without too much difficulty. I can see why a lot of sewists prefer to have a separate cover stitch machine as it would be annoying to have to switch back and forth multiple times during a project. However, I think as long as I’m doing most of my cover stitching together at the end of a project, switching is not too bad.

For my first big combo project I ended up serging four shirts and then cover stitching the bottom hems and sleeve hems of all of them at once. The shirts are made from a soft rayon/nylon/spandex Monaco rib knit from Mily Mae Fabrics. I used the Sinclair Demi and Tao patterns for the raglan shirts and the Sinclair Bondi pattern, cropped to the waist line for the short-sleeve shirt. I also used Bondi and color blocked the sleeves for the last shirt.

And I made a Sinclair Kai for my husband from a cotton lycra yarn-dyed rib knit in colors that coordinated with the kids’ shirts. (I’m wearing a Pattern Emporium Sweet Cheeks sweater in this photo that I made last winter in a cuddly brushed hacci sweater knit.) I was able to switch the serger back to serging mode and switch to off-white thread pretty quickly. But I was pressed for time and a bit lazy so I just zigzagged the hem on my sewing machine rather than switching it back to cover stitch mode again.

I’m looking forward to a lot more triumphant sewing yet to come!

Sweet fleece

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I enjoyed sewing and wearing my charcoal grey soft cozy Polartec sweatshirt fleece Pattern Emporium Urban Tapered Pants so much that I decided to make a Pattern Emporium Sweet Cheeks Sweater (sweatshirt) in purple to coordinate. I bought the purple Polartec fleece from Surge Fabrics. It is very similar to the charcoal grey Polartec fleece from Califabrics that I used for the pants. Both are very smooth on the outside and fluffy on the inside.

This is my second Sweet Cheeks Sweater. I previously made one in a lighter weight brown brushed hacci sweater knit to go with my pink plaid Walk Boldy pants (but actually I wear it with all sorts of things). Last time I made the mid-neck cropped length, and sized down from an AU8 to an AU 4 so it wouldn’t be so oversized. This time I did the same combo but switched up the neck to a V-neck. I really like the V-neck but it was more work to assemble. The sweater has more structure with the sweatshirt fleece than the hacci, which gives it a somewhat different look and causes the cropped length to sit a bit higher (more cropped). I like it both ways!

I’m really happy with the sweater, but note that it includes several components that require an extra step or two in order to get good results. The V-neck and bottom bands (see photo below for all these sharp details and a peak at my Triumphant surging) require some extra basting and alignment and the sleeve cuffs must be gathered and basted too. The pattern comes with terrific instructions and tips for how to do this, and I’m pretty pleased with my results. All of these features add too a really nice looking garment. Still, these steps take time and effort. I think the sweatshirt fleece was a little less forgiving than the hacci I used previously, which caused me to go even slower to prevent any mishaps. Nonetheless, I already have plans to make this pattern again! At some point I would like to try the hip length version and maybe also a t-shirt version without the sleeves.

A lot of Alana

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Over Thanksgiving weekend I made my fourth Alana dress. It was my first Sinclair pattern and still one of my favorites. It’s supposed to fit somewhat loosely at the waist, but I’ve altered the size 4p pattern a bit to remove most of the ease at the waist to get exactly the fit I want. After initially making it according to the pattern and then experimenting with shaving a bit off all the princess seams, I now have my alterations marked on my PDF pattern and I was able to cut my modified version from the start. (Also, having recently tweaked my projector setup I can project each pattern piece onto my cutting table in its entirety without the need to shift.) The only other alteration I make is extending both the front and back facings to below my bra line, as I have done before.

And, of course, I make the version with pockets! I love how the pockets fit between the front princess seams and don’t require the addition of side seam pocket bags.

For this version I selected a black, blue, and white geometric textured poly/rayon/spandex double knit that I bought from Cali Fabrics last spring. It’s a midweight, almost heavy knit with four-way stretch. It stretches well over the bodice, but also has enough body to give a nice fit and flare shape to the skirt. It is a comfortable cold-weather dress that will never need to be ironed.

I projected and cut this dress out on one day and sewed the whole thing together on another. There is a lot of princess seaming but it comes together pretty quickly, especially with a serger. There is no gathering, easing, or tricky seams to line up so it is a pretty straightforward pattern to sew.

I was so excited about my new dress that I wore it to work today and took some photos in my office!

Urban tapered pants two ways

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I made a pair of Pattern Emporium Urban tapered pants last winter out of some grey cotton Lycra fabric. They fit ok, but the fabric gave them somewhat of an athletic look. I’ve worn them a lot for casual wear, and I’ve used the wide-leg version of the same pattern to make a couple of pairs of pants in a ponte fabric, with a dressier look. I decided to try the tapered version again, this time with black ponte fabric and some additional modifications. It’s easier to get a good fit with wide-leg pants, but I’m getting the hang of tapered pants too.

I started with the size 10 tapered pattern with the low-rise waist, and graded down from the hips to the waist and altered the pockets to have a deeper pocket bag and straight opening as I had done in one of the wide-leg Urban pants I made. Then I added an extra-high contoured waistband lined in athletic knit and reinforced with half-inch elastic as I had done in my orange Urban boldly pants. I also extended the bottom of the crotch seam about half an inch in both the front and back. When I initially basted on the waistband and tried on the pants they seemed too wide in the thigh so I extended the grading on the outer leg seam down to the knee and resewed the side seam, using my serger to trim off the excess as I sewed.

The pants fit well and are super comfortable to wear. They have a slim fit but they are not skinny pants. Except for the waist, they have plenty of ease. However, even in the ponte fabric, I think the look is still somewhat casual, maybe a bit baggy — the wide-leg versions look dressier to me, perhaps because they fall in a straight line down the leg without folds. For a dressier look, I may try a pattern for slimmer fitting pants.

For a casual look, the Urban tapered pants are great, and they are awesome for travel — comfy and plenty of room in the pockets (especially after I cut the pocket bags a little bigger to make sure my phone would fit below my hip crease for maximum comfort). While wide-leg pants are cool and breezy in the summer, a cool breeze up your legs is not optimal in the winter. For travel, less fabric to trip over or pool around your feet can be advantageous. I have already taken these black tapered pants on two trips and wore them for two days straight each time, including wearing them overnight on a red-eye flight (if I have to take an overnight flight I definitely want comfortable pants!).

I decided to go ahead and make another pair out of Urban tapered pants, this time with the intention of using them for comfy athletic pants. I used a charcoal grey super cozy 250 gsm Polartech stretch sweatshirt fleece made from 51% Polyester/38% Nylon/11% Spandex. The fabric is smooth on the outside and fluffy on the inside. I made these with the same modifications I used for the black pants, except I made both the inner and outer contour waistband from the fleece, I made the waistband a half an inch shorter, and I used stitched pockets (borrowing from the PE Just Peachy Shorts pattern but with a straight pocket opening) instead of pocket bags to reduce bulk from the fleece. I especially love the way the pockets came out!

These pants are also super comfy and the contour yoga waistband feels great. The back darts really add to the waist and rear shaping and in combination with a graded-in waist and contoured waistband mean that there is no extra fabric gathered beneath the waistband.

These are very comfy and warm — they will be great winter pants to wear with a warm sweater all winter (pictured here with my Sinclair Soho cozy quilted tunic). In fact, this is what I wore this evening (with a coat) when I ventured out into the 26 degree chill and I can confirm that they kept my legs pretty warm.

Just Peachy!

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I bought the Pattern Emporium Just Peachy Stretch Shorts pattern last winter and finally got around to making myself a pair of shorts out of leftover grey cotton-lycra fabric from my stash (that I previously used to make Urban tapered pants). They come with elastic or yoga waistbands with are fairly similar to the PE Walk Boldly and Urban pants respectively with the same back darts and hip shape. The main differences are that they are (obviously) shorter than pants and the shorts have a taller yoga waistband and a straight inseam while the pants have a curved inseam.

I made my usual size AU10 with a size AU8 waistband. I made the mid rise with a yoga waistband, stitched front pockets, and length 3, which has about a 6-inch inseam. I have learned from my past experience with PE pants that because I’m short, the mid rise ends up being a high-rise fit on me, especially with a yoga waistband added. I followed the pattern pretty much as-is except for lengthening the pocket bags and adding half-inch elastic to the fold in the yoga waistband. I used a zigzag on my sewing machine for the pocket stitching and to sew down the 5/8-inch hem (fused in place with seam tape first).

I struggled a bit stretch the size 8 waistband to fit the size 10 shorts smoothly and in the end it puckers a little bit more than I would like. I probably should have made wider darts in the back or graded the waistband or switched to a contour waistband like I’ve used on some of the pants.

I love the way the pockets are finished with a binding. It’s a really nice finishing touch and the instructions were easy to follow (the instruction said to make the binding longer than needed and cut off the ends after it was sewn, and that worked really well).

The shorts are super comfy and I will probably wear them for casual wear and sleeping. Even with added elastic, the waistband is not as firm as I would like due to the fabric I used not having great recovery. I probably should have added a power mesh or athletic knit layer for a firmer feel. It is not actually too lose, it is just a feeling thing, especially when I load the pockets.

I don’t actually wear shorts very much outside my house (except for bike shorts and soccer shorts) so I don’t really need a large collection of shorts, but when I need more, I will use this pattern again. It would work well for both casual as well as dressy shorts (perhaps made out of ponte, scuba, scuba suede, stretch velour, etc.).

Bloom woven top (but actually with a knit)

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I have made several pairs of pants and a cardigan from PyLos LiKnit fabric and I adore all of them. I made a Sinclair Bondi elbow sleeve top from black LiKnit which is ok, but the LiKnit doesn’t really have enough stretch for this pattern without some adjustments (more ease or maybe adding darts?). Since the LiKnit behaves almost like a woven, I decided to try making a woven top with seafoam LiKnit and I selected the recently-released Sinclair Bloom. I made the sleeveless version at the shortest length with the rounded back neck. I treated the LiKnit fabric exactly as if it were woven, using regular straight stitches for the seams and top stitching.

There is some complexity to this pattern, but as usual, the Sinclair pattern is fairly detailed and pretty easy to follow. The front and back yoke are lined (I used the same LiKnit fabric), and the front yoke is interfaced with fusible woven interfacing. I used a medium weight, which was probably a little heavier than needed–next time I’ll try a lighter weight interfacing. The front and back have some gathers, which I’m afraid I didn’t distribute evenly enough, but they’re mostly ok. The sleeveless version uses the “burrito” method to encase the neck and shoulders, which is a fun technique.

Despite being a knit, the LiKnit fabric worked pretty well with this pattern. I may try one in another color of LiKnit with sleeves. I would also like to try this pattern with cotton double gauze.

I’m overall pretty happy with how this top came out, and it looks great with my seafoam LiKinit Urban Boldly mashup pants! In fact I wore this outfit to a conference last week and got complements from complete strangers. Also it was very light weight and packable, and doesn’t need to be ironed.

Heartlight skirt

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The Pattern Emporium Heartlight Skirt pattern is a versatile pattern for very flattering flared A-line knit skirts of all lengths. It’s also super fast and easy, unless you’re me and you make it harder for yourself. I did two things that made constructing my skirt harder the first time (adding pockets and using a waistband fabric a lot firmer than the skirt fabric), but now that I know what I’m doing I can continue to add pockets and add firmer waistbands and it shouldn’t be too bad the second time around. And if you want to try either of these things, keep reading for some tips.

I was planning to use this bright floral DBP fabric for a dress, but liked how it went with my purple double-gauze pants, so made a Sinclair Bondi v-neck t-shirt instead. I also realized that the colors in the fabric coordinate with a number of other things I own (including my sneakers), so having separates in this fabric would be useful. I decided to make a skirt, and coincidentally Heartlight was the Friday discount pattern a couple of weeks ago, so I bought it and figured I would give it a try. I loved the shape of the skirts this pattern makes and the soft yoga waistband, but I was disappointed it didn’t come with pockets. I read on the PE Facebook page that people had added pockets, some using another PE pattern that I don’t own, and others improvised based on the pockets in PE pants patterns.

I cut the pattern out using my projector. I cut a size AU10 about 2 inches above the knee length (thinking that since this wasn’t a petite pattern, this is what I would need, but it actually ends up being more above the-knee than I was expecting). The skirt front and back plus the pocket pieces I cut used less than a yard of fabric. If you are taller or want a longer skirt it will obviously use more fabric, but the pattern has some tips about how to cut the skirt in pieces to use the fabric more efficiently and to allow this pattern to be used with narrower fabrics. Because DBP is very soft and stretchy, it does not have enough hold for a yoga waistband unless you add elastic or line it with another fabric. Especially since I was planning to add pockets, I knew I needed a different fabric for the waistband. I also realized that my floral fabric was very busy and might benefit from being broken up by a black waistband. I decided to use black 256 GSM athletic brushed poly for a nice firm yoga waistband.

I referred back to the PE Walk Boldly pants pattern jeans pocket instructions. As the shape of the hip on the pants does not match the skirt I could not use the pants pattern piece, but I improvised following the same concept. I made pocket rectangles about 6 inches wide and 8.5 inches deep, and then doubled them for the front and back of the pocket bag. I angled the rectangle to align with the skirt side seam and adjusted the top edge to align with the waist of the skirt. I opted for a straight slash pocket opening.

Once I figured out how to make the pockets work they were pretty easy to cut and sew. I stitched the top of the pocket to the skirt front, understitched and topstitched, then folded it in half, surged the bottom, and then basted the rest of the pocket top and side to the skirt front piece (ok I realize that really requires an entire tutorial and not just a diagram and single sentence unless you are already familiar with making these sorts of pockets). The pockets are big enough for my phone and are well anchored in the waistband.

My biggest problem came attaching the waistband, largely due to the difference in stretch and firmness of the two fabrics. I followed the pattern instructions and used the quarter method to distribute fabric and pinned in place with 8 pins. I knew that stretching the athletic knit waistband to fit the DBP skirt would be difficult, so I decided to machine baste it before sewing it together. It was a complete disaster, with parts bunched up too much and some parts not joined together at all because the waistband had curled under. I unpicked a few spots and tried to fix them, and grew increasingly frustrated as I went. I eventually declared it a mess and went out to dinner. After I came back I unpicked the entire waistband (easy because it was basting stitches) and started over. This time I started by basting the two edges of the yoga waistband together with a wide zigzag stitch over the edge. This ensured the two edges would stay together and prevented them from curling. Then I applied the quarter method again, but this time used a lot more pins. I machine basted the whole things and it looked much better. Finally, I surged the layers in place, stretching the waistband as I went. After that all that was left was to hem the bottom, which I did using hem tape and a zigzag stitch.

The end result is comfortable and looks good, and I even like it untucked too… actually I’m more likely to wear it that way. I like the fact that the skirt is a little big swishy, without having all the fabric of a full-circle skirt (I love those too, but not for every occasion) and that it doesn’t require any gathering to make it. I’m pretty happy with how the pockets came out, although with DBP you always have to be careful how you load pockets to keep them from stretching out awkwardly. The PE “foxy” pocket style would also probably work with this pattern. Although the firm athletic knit was a bit of a pain to deal with, it makes for a great waistband that feels like it will stay put as I wear it, even with loaded pockets. I might make a black skirt entirely out of this fabric. I would also like to try this pattern in a rayon ponte and also try a longer length.

Another Kai for my guy!

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For my husband’s birthday I made him a Sinclair Kai short-sleeved t-shirt in a soft yarn-dyed pine green two-tone striped cotton-Lycra fabric (looks like sage to me) from knitfabric.com. It’s an easy pattern to sew and it looks great! I previously made him two long-sleeve Kai shirts; this was my first short-sleeve Kai.

My husband loves cotton yarn-dyed knit stripes but they aren’t so easy to find in interesting colors (lots of blue and white or off-white stripes). I really like this green stripe and it goes well with all the sage and sea foam I’ve been sewing for myself and my youngest daughter.

Purple fluffy pants!

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I haven’t sewn many garments with woven fabric lately because I don’t like to iron my clothes after I wash them and I would also rather not deal with zippers. I also find knit clothes just tend to be more comfortable to wear. However, “fluffy” cotton double gauze is trendy right now, you don’t have to (and you really should not) iron it if you wear it crinkled, and when you use it for loose fitting summer clothes it is cool and comfortable and does not need a zipper. I bought three yards of purple fluffy from Mily Mae Fabrics and decided to make some woven palazzo pants.

I love the Pattern Emporium Walk Boldly and Urban knit pants patterns so selected their Vacation Vibes pattern for woven palazzo pants. The pattern has both a low-rise and high-rise option, as well as several pocket choices and options for subtle or dramatic flare legs. I love wearing high-rise pants so I went with the high rise waist, subtle flare leg, and foxy pockets. I cut a size AU10 short and made no pattern modifications whatsoever.

I washed and dried my fluffy fabric before use and did not iron it at all to keep it nice and fluffy. I projected the pattern onto the fluffy and cut it with a rotary cutter. It is a little tricky to sew because you want to avoid having it stretch out. I used a walking foot on my sewing machine with a slightly longer stitch length and surged all the seams after I sewed them to tidy up the edges. every time the pattern suggested pressing with an iron I ignored it, and just did some light finger pressing. I made a bias binding for the large foxy pockets (big enough for my phone without any modifications), but it requires several passes through the sewing machine to attach. By the time I got it attached it had stretched out a bit so I moistened the pocket openings with a damp cloth, reblocked them to their proper shape with my hands, and let them dry before I finished attaching the pockets. The pants were very easy to sew, and went together quickly. The waistband was super easy to assemble as there was nothing to stretch: I made a casing and threaded a piece of 2″ elastic through it. I’m 5’2″ and ended up hemming the short length 2.25 inches to wear with flats. The only time I touched my iron was to very lightly press the hems.

Here I am modeling the pants with my new Chorus top. I tucked it in so you could see the waist band but I will probably wear this shirt untucked. I like the subtle leg option, which is plenty wide on me. The dramatic leg could be fun with the right fabric, but may be more pants than I really need.

I thought the pants looked pretty good and were comfy to wear. But the rise was really sky high on me and the crotch was sitting pretty low. I am a big fan of high-rise pants, but as a short person, I sometimes find high-rise too high when there is no petite version. I also find I frequently have to size down and/or grade in the waist on PE patterns, despite choosing sizes that match my measurement. I decided to wear my pants to work all day and see how they did. They were comfortable and looked alright, and the double gauze was just right in both the 75-degree F outdoor weather and indoor air conditioning. but by the end of the day I was convinced that the waist was definitely too high for me. I also noticed that the pants slipped down a bit as I wore them and I kept stepping on the hem. The pockets were kind of droopy and I was concerned my phone could fall out when I sat down.

I cut off the waistband, removed about 2 inches from the top of the pants and graded in the sides from the hip up to the waist. I took about 3 inches out of the waistband circumference and sewed it back on. I think they fit much better now. They sit right at my natural waist rather than above it and there isn’t so much extra fabric around the waist. Next time I make these I think I would cut a size smaller (especially if I use double gauze since it stretches out a bit when you wear it), low rise, and still probably grade in the waist. I would also reshape the pocket opening to attach higher on the leg and hem them a bit higher. I might try a yoga waist band in a coordinating athletic knit (the pattern has instructions for that too!).

New photos show the reconfigured waistband. As an added bonus, since the pants are pulled up more the hems have risen and I no longer trip over them. I made a Sinclair Bondi v-neck tshirt (my first Bondi v-neck) out of a floral DBP in my stash to match the pants. I was going to make a dress from this fabric, but I liked how it paired with the pants so decided to make separates instead. I also like the shirt untucked. Skirt coming soon. I wore this outfit to work, and by the time I walked home it was 92 degrees F. The whole outfit was still comfortable, even in the heat and humidity!

Ruffles and Flutters

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The Ellie & Mac Felicia Custom-Fit Cup Size Dress Pattern is super cute, but takes some time to make, especially if you include the flutter and ruffle options. It offers a nice custom fit by providing cup-size options and bodice darts. This isn’t all that critical for those with my proportions, especially when I sew with light, stretchy fabrics. However, I do think the bodice pattern will be nice for sewing heavier knits. I sewed my dress with a lightweight and drapey rayon spandex deadstock fabric form Califabrics.com. The lightweight fabric drapes quite nicely for ruffles and flutters, so I took advantage of that.

I made the high v-neck option with the long flutter sleeve. I made a couple of deviations from the pattern for both the neck and the sleeve. When I started basting together the v-neck, following the pattern instructions, I found that the acute angle that is marked for the v-neck back is too sharp an angle to smoothly match the high v-neck in the bodice. After trying unsuccessfully to make it work a couple of times, I cut a new neck band and cut the angle at 90 degrees. This lined up with the bodice perfectly and lies very smooth. (From looking at photos others have posted, it looks like others may have had this problem too and would benefit from a 90 degree cut.) The other change I made was to fold the arm facings in half so that I when I top stitched them down they have a finished edge and do not need to be trimmed. This might not work with heavier fabric but worked really well with my light-weight fabric.

I added work for myself by adding a ruffle to the bottom of the skirt. I cut the skirt mini-skirt length and cut a 4.25″ x 140″ ruffle, as suggested in the add-on ruffle tutorial. (I’m 5’2″ so miniskirt plus ruffle comes to just above my knee.)I hemmed the ruffle and gathered the ruffle in four sections before attaching it to the bottom of the skirt. The ruffle looks really nice, but it was time consuming to do all that gathering and get it even, especially using such stretchy fabric.

Because I refuse to sew dresses without pockets, I added inseam pockets to the sides of the skirt and secured them at the waist. I view this step as critical, but it did add to the time needed to complete this project. In addition, once I had the whole thing sewn together I realized that the fabric was so stretchy that the bodice had “grown” a bit from the weight of the skirt — and that was before I put anything into the pockets. The clear elastic didn’t help, and was a bit itchy around my waist. I ended up cutting off the skirt removing about an inch of fabric from both the bottom of the bodice and the top of the skirt, and then reattaching them with a 1.5-inch waistband in between, cut with a smaller diameter than the bodice so that it would stretch around my waist. I lined the waistband with athletic knit to add some stability to the waistband. This looks and feels a lot better, and I can actually put things in my pockets now too.

Overall, I’m pleased with the results, even if annoyed by the process. The ruffle at the bottom looks great with the flutter sleeves. The rayon spandex is soft and breathable and very comfortable to wear, but given my feelings about pockets, I will think twice before using it for anything other than a top in the future. I was very happy to figure out how to get the v-neck to lie flat and to recover from the growing fabric problem by adding a lined waistband.