Ruffled Harper cardigan hack

When I saw the Sinclair Harper cardigan hack on the SewYouThinkYouCanSew blog about a year ago I knew I wanted to give it a try. This hack is based on an Anthropologie Cardigan. I loved the look so much that I bought the same fabric, Impressionist Double Sweater Knit in eucalyptus from Serge Fabrics. Then I got busy with other projects, including a Sinclair Laura cardigan in the tea leaf color of the Impressionist Double Sweater Knit. When I bought Pylos LiKinit in seafoam and discovered it was exactly the same color as eucalyptus, I knew it was time to make a seafoam/eucalyptus outfit (see my post on my Pattern Emporium Urban Boldly mashup pants).

I followed the instructions for the Harper cardigan hack on the blog with a few modifications. I started with a size 6p. Since I prefer not to have neckbands that creep up my neck, I lowered the back neck band and narrowed the whole band, just as I had done for a previous Harper sweater I made. I used patch pockets (but without the top band) but still split the front pieces as was done in the hack. I also added a slight flare to the outside seam of the lower front pieces. I omitted the sleeve cuffs and lengthened the sleeves slightly to compensate. I was able to cut all the pieces from 1.5 yards of fabric in my size. I’m very happy with how the ruffled harper came out! It is a jacket I can wear to work and look professional, with a fun ruffle in back. This one is a light-weight sweater knit good for spring and fall or keeping warm in overly air-conditioned buildings. I might make a warmer one for winter in French terry or a cozy sweater knit.

Since I had fabric leftover I made a Sinclair Cache top to go with the cardigan. I followed the cache pattern but added a scoop neck and cut the back hem to match the front. I actually don’t love how the Cache came out in this fabric with the scoop neck as it doesn’t lie flat under the cardigan, but I’ll wear it anyway.

Songbird Kimono Jacket

I love my lightweight Pylos LiKnit palazzo pants and wanted a jacket to go with them. I was looking for something unstructured and drapey that I could throw on over a tshirt or a dressier shirt in warm weather. The Pattern Emporium Songbird kimono jacket/duster/cardi seemed about right. I decided to give it a try in the cropped length with the narrow binding option. I made it in AU size 10 with the semiflared sleeves, shorted 1 inch. I made it in a 2-way stretch fabric, but it is also suitable for wovens.

It was pretty quick to cut and sew from the black LiKnit. (I took a couple of days off this week to sew after having spent last weekend on campus at graduation.) I used 1″ fusible knit stay tape for the interfacing on the binding, which is not exactly what the pattern called for, but it seemed to work pretty well. I cut the bottom of the binding at an angle, but messed up and cut one side at the wrong angle. I fixed it and then forgot to adjust the length of the other side to match and didn’t notice until the whole jacket was put together and I discovered that the binding was lower on one side than the other. I pondered how to fix it, and then decided I didn’t really like the binding ending a few inches below the hem anyway. I considered attempting to unpick the whole binding, which didn’t seem like much fun. I also considered just cutting off the binding and redoing the whole thing, which probably would have worked ok but I was too lazy to do it. In the end I decided to splice additional binding pieces to the bottom of both sides and bring the binding down to the hem line. This is not really the right solution, but since the whole thing is black, unless you look at the jacket in bright light, the two diagonal splices are not very visible. Other than the splices, I really like this look and when I make another Songbird jacket I will almost certainly plan to extend the binding on purpose this time. Here’s a closeup in the bright sun so you can see what I did.

Even though I shortened the sleeves by 1 inch, I still felt they were too long for me (a problem I often have for garments that don’t come in petite sizes). The sleeve hem is 1.5 inches so I folded it over a second time and effectively shortened the sleeves by 2.5 inches, which was perfect for me. The pattern comes in a choice of semiflared, flared, or tapered sleeves and multiple sleeve lengths. I was looking for something to cover my arms so I chose long sleeves. I wanted something loose but I didn’t want flared sleeves that would get get in the way, so semiflared was the right balance.

I’m modeling the jacket here with a Sinclair Yasmin dress, but trust me it also looks great with the palazzo pants. Also note my little tricolor beech tree in the background, which struggled last year but is hopefully making a comeback.

Plush and warm double sweater knit

I stocked up on sweater knits from online fabric stores during the winter clearance sales and now my sewing room is overflowing with soft and cuddly sweater fabric. Most of it will wait until next fall before I use it, but I was eager to sew up some of it while it is still winter.

I decided to start by making a cardigan sweater out of the super plush and warm ebony Morraine Double Cashmere Sweater Knit from Surge Fabrics. This fabric is 44.5%Rayon/35.9%Poly/19.6%Nylon with a weight of 320gsm and 75% horizontal/50% vertical stretch. It is a thick, lofty fabric with a somewhat squishy and very soft feel, but it is also fairly stable with good recovery. I used the Banff Ultra Thick 1×1 Rib Sweater Knit for the bands and cuffs. Banff has similar fiber content — 50%Rayon/28%Poly/22%Nylon — but it is slightly heavier at 350 gsm and has 75% horizontal/25% vertical stretch. Although the specs are similar, the Banff is much less stable and tends to stretch out (as I discovered when I used Banff to make a dress a couple of months ago) and unravel at the edges. In fact I had a hard time cutting the bands out without inadvertently stretching it in the process. But it produces lovely bands and it matches the Morraine perfectly!

I thought about using the Grab A Cuppa cardi pattern I tried last week, but decided I didn’t want to make something so slouchy out if this heavy fabric. Instead I went with the free Sinclair Harper pattern with some modifications. Based on my previous Harper sew, I knew my usual size was fairly snug so I sized up one size to 6p. I also wanted a slightly shorter length, but not as short as the crop length, so I shortened the classic-length bodice by 2.5 inches. I don’t like the feel of neck bands that creep up my neck so I lowered and widened the back neck and narrowed the band by .5 inches on each side (cutting the band 1-inch narrower). To compensate I widened the inner edge of the front bodice by .5 inch and narrowed the shoulder to match the altered neckline on the back bodice. I estimated the new length for the neck band, but it ended up being much too long, so I iteratively shortened it until I got it right.

I serged my black cardi with my usual medium-grey serger thread. That’s the only serger thread I have and when I bought my serger last year I swore I would never rethread it. But threads break and I was forced to learn how to rethread it earlier this year. After many failed attempts I think I am now capable of performing a complete rethread of all four threads in about 5 minutes. Now I think having black serger thread on hand would be a good idea, as I have a number of projects planned with dark fabrics and it would look a bit nicer.

My Harper modifications worked pretty well. The Morraine was easy to sew on my serger. The Banff was mostly ok, but my serger was definitely not happy about sewing through four layers of Banff where the two bands meet. I resorted to sewing one side on my sewing machine. In the end the bottom corners did not work out as well as I had hoped (same problem I had with the Cayambe last week), but with some hand sewing and a lot of pressing I got them mostly straightened out ok. I debated whether to top stitch the seam allowance of all the bands but decided not to as the top stitching would add a significant ridge to this squishy fabric. I can always go back and add the top stitching later.

Overall I’m very happy with this cardigan. It is very warm and cuddly feeling, and has a nice tailered look.

Rosemary ribbed twin set

Last week I made a Pattern Emporium Grab a Cuppa Cardi out of rosemary Cayambe rib knit from Surge Fabrics (95%Poly/5%Spandex, 240 gsm, 75% horizontal/25% vertical stretch). This is an oversized pattern and I didn’t want it to swallow me, so I sized down from an AU 8/10 based on my measurements to an AU 4. I’m glad I did as it is still is quite ample width, but now the sleeves fit pretty well. I used the hip-length pattern. I don’t like the feel of collars creeping up my neck, so I lowered and widened the back neck by about an inch and adjusted the front bodice so the shoulder width matched the lower back neck.

The cardi went together pretty quickly using my serger and the neck adjustment worked well. The pattern includes some good tips, including pointers on adjusting the differential feed and great advice on how to gather the sleeves and attach the cuffs. I accidentally serged the bottom band on backwards (seam on the outside of the sweater… oops), so I ended up just cutting it off and resewing, but I lost about 3/4-inch of length in the process. I could have cut a new band out and lost only 1/4-inch, but I was feeling lazy and decided I was happy with the shorter length for this cardi. I struggled a bit with the bottom of the front band and it isn’t quite as even as I would have liked, despite following instructions to baste, etc. I think the stretchy ribs made this harder.

Since I had more of the Cayambe left, I decided to make a short-sleeved sweater and create a twin set. I used the Sinclair cachet relaxed tshirt pattern, with some modifications. Before cutting the fabric I tried on a Cachet I made previously with my new cardi and noticed the back hem of Cachet hung down considerably lower than the back of the cardi. So I adjusted the back bodice of the Cachet so that it was similar to the bottom of the front bodice and did not dip down so low. It is now uniformly a bit longer than the cardi, rather than just in back. I also wanted more of a scoop neck so I borrowed my screwp neck modification for the Sinclair Bondi pattern.

The Cayambe fabric is kind of a light-weight sweater knit, good for a spring/summer sweater. (Not really appropriate for winter weather, but it warmed up enough today that I ran outside for a quick photo shoot. I’m laughing in the photo because my photographer is making fun of me for standing outside in Pittsburgh in February in short sleeves without a coat.) The Cayambe has a bit of a sheen on the right side of the fabric and nice ribs. The web site suggests not putting it in the dryer, I’m assuming to avoid it catching on other garments as opposed to a danger of shrinkage. I did put the fabric in the dryer when I initially washed it without any problem. The rosemary color is similar to sage, kind of herby. It could be called sage too I guess.

Overall I’m reasonably happy with how this came out and I’m looking forward to wearing this set in warmer weather. I don’t love the Cayambe as much as I thought I would — it is soft but also kind of looks and feels like polyester (which it is) and isn’t as soft as I thought it might be. I like the Grab A Cuppa cardi pattern and think it will be nice with wide pants, but even sizing down 3 sizes it still looks slouchy and I think I generally prefer a more fitted look for tops.

I just bought some custom woven clothing tags from wunderlabel.com so I sewed them into these garments as a finishing touch.

Laura + Cachet cardigan twinset

After my success with the relatively simple Harper cardigan, I decided to try the fancier Sinclair Laura relaxed-fit shawl-collar cardigan. Except I don’t like shawl-collar cardigans because I don’t like how they feel on my neck, so I decided to make a shawless shawl-collar cardigan. The reason I selected the Laura cardigan despite the fact that I obviously don’t like its primary feature, is that it has a really cool peplum in the back. Besides looking cool, the peplum is created by cutting the fabric on a tight curve and attaching the inner curve to the bottom of the bodice, creating a sort of flounce effect with no need to gather or pleat. Cool!

I hacked the size 4P Laura cardigan by reducing the shawl color to a 1-inch band. That would have made the front pieces too narrow to meet in the middle, so I used the Harper pattern as a template to draft wider front pieces, except I left the Laura shoulders and blended it together. I also wasn’t a fan of the handkerchief hem, so I rounded the square corners. In hindsight I should have just lopped off the front dangling part completely (which I saw another sewist do in the Sinclair Facebook group), which would also have made for a smoother front line as it avoids the 45 degree turn in the front binding. The cardigan is supposed to be made with a closure at the point that the 45 degree turn in the binding occurs. The closure helps straighten everything out. But I didn’t want a closure so left that out.

The Laura pockets are very cool — they form cute little pocket bags that are big enough for my iPhone, although depending on the fabric you use they may sag if you put an iPhone in them.

I used a poly-rayon impressionist double sweater knit fabric from Surge Fabric shop in the tea leaf color way. This fabric is a loose, fairly light-weight but still somewhat substantial — good for a summer sweater. What is really unique about it is that the reverse side is smooth. So I used the revers for the bands and had smooth, perfectly color matched bands. I was inspired to use the impressionist knit for my cardigan after seeing another sewist used it to for a Harper cardigan hack in the eucalyptus color. I have some of that color as well and may try that hack too.

Since I bought more of the impressionist fabric than I needed, I decided to make a short-sleeve sweater to match my cardigan and turn it into a twinset. I used the Sinclair Cachet t-shirt pattern in size 4P, but used my Bondi screwp neckline hack instead of the Cashet crew neck. I used the reverse side of the impressionist fabric for the neck band. The Cachet is only two pieces plus the neckband, so it is very fast to cut (especially with a projector) and sew. I like the high-low hem that is longer in the back than the front.

The impressionist knit was pretty easy to work with, but almost impossible to remove stitches from if you mess up (well most knits are difficult to unsew, especially if you sew with stretch or zigzag stitches). I used HeatNBond Soft Stretch for all my hems on the top and cardigan and it worked great, producing crisp edges on the curves. The impressionist knit also washes well and goes in the dryer. Since it is a fairly loose knit on the front it does sometimes catch on things and I expect over time to see some loose threads and pilling. I’ve been wearing the twinset to work a lot and the cardigan is a good weight to wear when it is 69 degrees and air conditioned inside and much warmer outside.

Harper cardigan

Sinclair patterns has a free cardigan pattern called Harper that is very nice. I decided to make it in the classic length, size 4P with pockets (of course!) using a glen plaid polyester spandex double knit. I started out very keen on matching my plaids, until I discovered, after much fiddling, that the plaids on the bands and pockets were not going to line up due to the evil plaid having no horizontal repeat plus the fact that you have to stretch the band. I don’t understand why the plaid has no horizontal repeat and it was completely non-obvious to me until I spent a lot of time desperately trying to figure out where the repeat was.

Once I threw in the towel on the plaid matching, I still had to figure out how to turn under the pocket edges and attach the patch pockets to the front of the cardigan. Again, much fiddling ensued as I tried to pin the pockets in place, but it was difficult to get the thick double knit aligned and pinned properly. Then I remembered that I had bought a package of Wonder Tape after having read that it was nothing short of the seventh wonder of the world. I dug out the Wonder Tape and then wondered how to use it for a while as I couldn’t get the tape unstuck from its backing. More fiddling, and I got it and applied the tape to hold the pockets in place. It was indeed wonderful and my non-matched plaid pockets actually look pretty good.

I’m pretty pleased with the jacket and I wear it a lot. It is more comfortable than a blazer but more polished than a sweater, and I can dress it up or wear it with jeans. (OK, usually I wear it with jeans.) Here it is with jeans and my black Bondi t-shirt.

Sinclair Harper jacket in a glen plaid poly spandex stretch designer double knit, worn over a Sinclair Bondi shirt in black cotton lycra

I plan to try it in other lengths and fabrics. I may try it without the cuffs and bottom band, and may try a narrower front/neck band.