In December, while travelling, I ventured into a mall for the first time in a long time, probably since last December. I don’t live near a mall that is all that convenient, and I think I’m just about over malls. I spent a lot of time wandering around malls in high school, and mall walking when I lived in New Jersey. Now I shop online or in neighborhood stores and make a large fraction of my clothes anyway. But the reason I mention all this is I found myself in a clothing store in a mall with one of my young-adult daughters as she was debating what size to buy in a plain white t-shirt when neither size she was considering fit her quite the way she wanted. I looked at the cotton Lycra t-shirt and sighed. “I could make you one of these that would fit you exactly the way you want,” I told her. So she left the store without the t-shirts.
A week later, I showed her what cotton-lycra fabric I had in my stash. Sadly, I had no white, and not enough black for a shirt. But I had just enough sage green (left over from a cropped t-shirt for my other daughter) that I thought I could eke out a shirt for her. I discussed her shirt preferences and adjusted my Sinclair Bondi classic fitted t-shirt pattern for her. I cut a size 4 regular crew neck one-inch-above-hip length and graded it in from the bottom of the armscye to the hem for an even more fitted fit. After trying it on she asked for further grading. The end result fits her really well. Next time (after I order some black and white CL fabric) I will do a broad shoulder adjustment and then the shoulders will fit even better. She also asked for the crew neck opening to be raised half an inch, which is just her personal preference.
Sinclair Bondi classic fitted t-shirt 6p, screwp neck, broad and sloped shoulder adjustments, bishop sleeves with long cuff, 1.5 yards 160 gsm 2-way stretch dark grey polyester crushed velour.
I bought a yard and a half of dark grey polyester crushed velour last winter and thought it might make a nice dressy top. It’s a medium-weight 160 gsm all polyester with no spandex. I didn’t notice until I got it out to sew it that it was only 2-way stretch, not 4-way stretch.
Most knit patterns I own (and most that my favorite pattern makers sell) are designed for 4-way stretch knits. These are knits that stretch BOTH horizontally and vertically. They are in many ways easier to work with than 2-way knits that stretch only horizontally (or occasionally only vertically) and tend to be easier to fit and more forgiving. When sewing a fitted knit shirt, it is obvious that we want some significant stretch in the horizontal direction to go around the body. But it is also helpful to have at least a little bit of vertical stretch so that the top doesn’t get stuck and ride up around the bust. A lot of vertical stretch can be problematic on a dress as the waistband may get pulled down and the dress may not be able to support pockets. A loose-fitting garment (a typical cotton t-shirt, for example) doesn’t need stretch to fit, since it doesn’t really even try to conform to the body. Some garments get around lack of stretch by adding seams and darts to help the garment contour to the body. Generally, patterns designed for woven fabric do this.
So, I wanted to make a somewhat fitted top out of my 2-way stretch velour, and none of the fitted top patterns I own claim to be suited for 2-way stretch fabric. (Actually, one of my patterns claimed it was for 2-way stretch, but that turned out to be an error in the pattern description that I caught because all the photos of garments people made with the pattern seemed to be using 4-way stretch fabric. A lot of people assume 2-way stretch is stretch in 2 directions, but that’s actually not how the term is used.) I considered using a woven pattern but after too much overthinking I finally decided to throw caution to the wind and use my favorite Sinclair Bondi classic fitted t-shirt pattern and just size up one size. Actually, this was not a completely reckless thing to do as I have made a lot of Bondis and I have a good sense for how it fits and how to customize it for me. I recently had problems using a low-stretch fabric with a different knit shirt pattern, but sizing up one size seemed to make it work.
The crushed velour was a bit slippery to work with, it shed silver dust all over the place as I cut and sewed it, and the edges curled a bit. The fabric listing said to iron it only on the wrong side, but I recklessly ironed it any which way I could to get it to behave, and it doesn’t seem to be any worse for the wear. I positioned the pattern carefully so that the fabric nap would all go the same way, and when wearing the garment, it would feel smooth when running my hands from top to bottom. My youngest daughter recently ranted about how much she hates it when the nap runs the “wrong way,” and she doesn’t like the feel of the rough fabric against her skin. I wasn’t about to make that mistake!
Sizing up one size seemed to have done the trick and made the 2-way fabric work quite nicely with my 4-way stretch pattern. The shirt is comfortable to wear and mostly stays in place, especially when tucked in. The sleeve cuffs want to bunch up, probably because the nap is going the wrong way on the inside of the cuff — I suppose I could have turned them the other way and violated my daughters’ rule on the outside, or maybe added a seam so the nap would go the right way on both sides.
Anyway, it was good enough for my New Year’s Eve outfit, and I could even wear another shirt underneath since the weather was frigid. I also wore my Sinclair Cleo palazzo pants (also in stretch velour, but this one is a 4-way stretch). My daughters suggested I wear it with the chain belt I’ve had since high school, which apparently is fashionable again.
Sinclair women’s Crew pullover, hip length with banded bottom and tall cuffs – two in size 6P and one in 6T plus 4T cropped version, brushed cashmere rib
Sinclair men’s Crew pulloverhip length with banded bottom in size 38 short, 38 regular, and 34 short, brushed cashmere rib
Last year I made my son and his partner a pair of matching raglan shirts in two colors of Monaco rib knit from Mily Mae Fabrics using the Sinclair Demi and Tao patterns, and I had left over fabric so I made my daughters Sinclair Bondi shirts to match. It made for a nice family photo.
This year I planned in advance to make matching color block sweaters for the whole family. I bought 14 yards of brushed cashmere rib (220 GSM 68% Poly/28% Rayon/4% Spandex) from Mily Mae Fabrics when it was on sale for about $4 per yard. As it turns out, 8 yards would have probably been sufficient for the seven sweaters I made, but I didn’t know what color combinations I would use and you never know.
I selected the Sinclair Crew pullover top this year, which comes in both men’s and women’s cuts. I made one of each for myself and my husband and then went into assembly line production mode, cutting out several at a time and sewing each step on the whole bunch before I went on to the next step.
I made the Sinclair women’s Crew pullover, hip length with banded bottom and tall cuffs – two in size 6P and one in 6T. I also improvised a size 4T cropped version that was 4 inches shorter than hip length and graded to size 0 at the waist (for my college-student daughter who only wears cropped tops). I also made the Sinclair men’s Crew pullover hip length with banded bottom in size 38 short, 38 regular, and 34 short. I did not make any modifications to the pattern except for the cropped version.
This is a pretty easy pattern to sew, and with all the bands there was no hemming involved. These bands stretch gently to fit the fabric they attach to, no gathering needed. The fabric I used was also pretty easy to work with and I was able to sew everything together without any basting.
I made each sweater with a different color combination, and I also played with different approaches to color blocking. Mine has each sleeve a different color. I like them all, but I think my favorites are the ones with different color fronts and backs with the third color for the sleeves.
We did a crafty Christmas gift exchange at work, where we were each randomly assigned a colleague to make a gift for. I couldn’t ask my gift recipient for her size, as that would spoil the surprise. She is a lot taller than me, but my guess is she is otherwise a similar size. I decided I couldn’t make her anything too fitted without knowing her actual size, so I selected the Pattern Emporium Sweet Cheeks Roomy Sweater. This is a very oversized pattern. My correct size according to my measurements is AU 10. I made an AU 10 sweater in a heavy fabric, and it is a super comfy oversized sweater that would probably be fine sized down a size or two. I also made one sized down to a size AU 4 in the cropped length in a lighter weight brushed hacci sweater knit, and it fits just fine. I decided to size down only to an AU 8 for my friend and make the hip length. I also shorten the sleeves for me but I made the full length sleeves for my tall friend.
I love the Versailles brushed hacci sweater knit because it is brushed on the inside and feels very cozy. I bought more yardage in several colors last Fall when it was on sale for about $5 per yard. I decided to use the rosey mauve color (basically a pale pink) for my friend’s sweater.
My friend was surprised that I made something that fit her without measuring her, and especially that the sleeves were long enough. I don’t have photos of her wearing it, but here you can see it on a hanger and me trying it on.
Pattern Emporium Allure Bell Sleeve Top with plain sleeves size AU10, Wanderlust high scoop neck, hem shortened 3.5 inches, sleeves shortened 1 inch, 1.5 yard of 43″-wide ginger-red wool jersey knit.
Size AU 10, screwp neck, sloped shoulder adjustment, hem shortened 3.5 inches, short sleeves, <1 yard dusty olive cupro jersey.
Size AU 12, screwp neck, broad and sloped shoulder adjustment, hem shortened 3.5 inches, sleeves shortened 1 inch, <1 yard dusty olive cupro jersey.
I was quite pleased with my double-bell-sleeve Pattern Emporium Allure top, but wanted to try it with simple sleeves. The pattern comes with bonus plain sleeves that are slightly shaped for elbow curvature.
I have previously made quite a few long-sleeve knit shirts using the Sinclair Bondi pattern, which I like quite a bit and I think fits me really well (especially after I made a few minor adjustments). However, it is fairly fitted and I don’t think it works as well for fabric that doesn’t have a lot of 4-way stretch (although that hasn’t stopped me from using it with less stretchy fabrics, sizing up a size). For example, I noticed a lot of drag lines in the back when I used it with a low-stretch light-weight wool. Allure is semi-fitted, slightly less fitted than Bondi, so I thought it might work better for low-stretch jersey fabrics. When I put the two patterns on top of each other I could see that the Bondi size 6 and the Allure size AU10 are about equivalent. The Bondi is more fitted in the waist, flares out more at the hem, and is wider across the bust in the front. I normally make Bondi in size 4P, but size up to a 6P when using low-stretch fabric.
First, I made a plain-sleeve Allure in size AU10 from a lightweight 150 gsm, ginger-red hand-washable wool jersey knit fabric from Knitfabric.com. The fabric was advertised as having 25% stretch in each direction, but it seems to me it has more like 50% horizontal stretch and <25% vertical stretch. I used about a yard-and-a-half of 43″-wide fabric. I cut the hem about 3.5 inches shorter than the regular length, which is a good length on me for wearing a shirt untucked (which is mostly what I do), but long enough that I can tuck it in if I want to. I also did a sloped shoulder adjustment and shortened the sleeves by 1inch. I wanted a scoop neck, but knew from my previous Allure that I wanted it a little higher. So I used the front neck line from the Wanderlust dress high scoop neck and adjusted the size of the neckband accordingly. I hemmed the bottom and sleeves with a shallow zig zag stitch on my sewing machine after first folding and pressing it with knit stay tape.
I mostly liked the way this came out, but found the neckline still a little too low and wide in the front and too low in back for my taste. so for my next top, made from dusty olive cupro jersey from Surge Fabrics, I raised the front neckline about .75 inch and brought the sides in about .5 inch. I also brought the back neckline in about .5 inch and raised it to the same height as the back of the crewneck — similar to the “screwp neck” that I like with the Bondi pattern. I used less than a yard of 58″-wide fabric. This jersey cupro is 180gsm and advertised as having about 50% horizontal and 25% vertical stretch. The vertical stretch seems to me less than that. The fabric color is almost grey — the olive is very dusty. None of my green threads were a good match for this fabric so I ended up using steel grey. The curpo fabric is 65% modal and 35% poly and does not require any special care. It has a very silky feel. I coverstitched the hem, sleeves, and neckline with the steel grey thread.
The neckline came out exactly the way I wanted it on this one after I futzed with the length of the band (I basted it on, decided it was too tight, removed it and cut another one 1.5 inches bigger). But overall the top was too tight. I learned from past experience with a cupro jersey dress that it doesn’t stretch much and fits tight. The sleeves were uncomfortably tight on me. But I thought it would still work in this semi-fitted pattern. But it was too tight and had lots of drag lines. And when I raised my arms and put them back down the shirt stayed bunched up around the bust. It took less than a yard of fabric and I had started with two yards, so I decided to give this one to my daugter and try again.
It fit my daughter fine but the sleeves were too tight on her and not quite long enough (she is taller than me) so I turned them into short sleeves.
I made another Allure from the dusty olive cupro, this time size 12. I also added a .75-inch broad shoulder adjustment, in addition to the sloped shoulder adjustment — an adjustment I usually make with Bondi too. I used the screwp neck, shortened the hem by 3.5″ and shortened the sleeves by 1 inch.
This time the fit was very good. However, you can still see some drag lines at the shoulder, I think due to the lack of vertical stretch. I will definitely size up if I use this fabric again.The cupro fabric is an easy-care soft and silky fabric and has a nice drape, but it also seems to stick to itself and doesn’t smooth itself out without help, as you can see in these photos. We got the last photo below after a lot of smoothing. I think this is lovely fabric, but it doesn’t seem to work that well for a semi-fitted t-shirt. I think it works better in a dress because there is weight pulling it down. I think it would also work better with princess seams, in an oversized style, or even with a woven pattern. This one will be fine as a layering piece under a sweater or jacket.
Pattern Emporium Allure Bell Sleeve Top with modern bell sleeves in short and long lengths, size AU10, less than a yard of ITY, scoop neck, shortened 5 inches.
I had some fabric leftover black and white ITY fabric from my double-faux wrap dress and decided to use it to make a double-bell sleeve top for my daughter for her birthday last month. I used the Pattern Emporium Allure Bell Sleeve Top pattern, a pattern I had previously used only to add bell sleeves to the Wanderlust dress. Allure comes with a wide range of sleeve options. I decided to use the modern bell style in short and long lengths and attach them to short sleeves. I cut size AU 10 with a wide scoop neck. The pattern falls at hip length, so for me I would make it 2-3 inches shorter to account for my short height. My daughter prefers shorter tops and she is only an inch taller than me, so I shortened it by 5 inches.
The pattern came together pretty quickly and I’m really happy with the results. I’m sure I’ll be making more Allure tops. For me I will shorten it less next time, use the sloped shoulder adjustment I used on the Wanderlust dress, and probably also uses the Wanderlust neck band, which is slightly less scooped. Here you can see me modeling it before I sent it to my daughter.
And here’s my daughter modeling it when I visited her last week. I wore it untucked, she preferred to tuck it in.
I made my lilac Be Mine and Spill the Tea mashup cap sleeve blouse as a simple, elegant summer top. So I decided to try the mashup again, but this time with the flared long sleeves from the Pattern Emporium Spill the Tea pattern. Although the size chart suggests that I am a size AU10, I sized down for all my Be Mine tops to an AU8, but they still seem a little big, so I decided to try an AU6 this time. I used the Mily Mae cobalt airflow polyester fabric this time – same woven crinkle fabric as the lilac top but a different color.
Once again, I sloped the shoulders and eliminated the front and back seam to keep this super simple. I also skipped the wide hem this time and serged the hem, and then folded it under a quarter inch twice and stitched it down with my quarter-inch edge foot. The flared sleeves were easy to assemble and attach. I shortened them by 1.5 inches before I cut them out, anticipating that I usually need to shorten sleeves unless it is a petite pattern. I sewed the whole thing together in a few hours one evening after dinner.
I like the sized-down fit, and didn’t have any problem getting it on or off. The flared sleeves aren’t as dramatic as the Be Mine balloon sleeves, but they still have plenty of drama, and they are easier to wear under a sweater. The top works both tucked and untucked.
I wanted to make a short-sleeve top to go with my magenta suit. I bought lots of polyester crinkle airflow woven fabric when it was on sale at Mily Mae and I thought the polyester lilac airflow would go well with the magenta. (Note, the airflow is advertised as non-stretch, but because of the crinkle texture, it actually does have a bit of stretch (which could, perhaps, allow sizing down a size). It’s actually fairly similar to the Surge Florence stretch woven that I used recently for a Spill the Tea top; the Florence is just a bit crisper.) I considered making another PE Spill the Tea top, but wanted something without ties. I love the look of the ties, but not futzing with them and having to keep them from getting in the way as I go about my day. I realized that the PE Be Mine Balloon Sleeve top has a very similar bodice to Spill the Tea and that the sleeves are interchangeable. The balloon sleeves are awesome, but don’t play well under jackets and sweaters (and there’s no point wasting a fabulous balloon sleeve under a sweater). So I thought I could get a more practical and layerable top for wearing with jackets and sweaters by putting the Spill the Teas cap sleeves on the Be Mine top bodice.
I cut a size AU 8 Be Mine bodice with a sloped shoulder adjustment and eliminated both the front and back center seam. I cut the regular length with the mid neckline and the wide facing. This was fairly quick to sew together without the center seams and no hemming, bands, or binding needed for the cap sleeves. The part that took the longest was the wide hem, which I think looks really nice on an untucked shirt and adds some weight to this light-weight fabric. But the wide hem is quite the process: it requires stitching, surging, trimming, understitching, folding, top stitching, and pressing between each of these steps. The simple hem option would have been much faster.
I’m pleased with how my top turned out. It looks good tucked or untucked, coming or going!
I tested Cassie V1 but was traveling when the V2 pattern released and didn’t get back until after the testing period was over. So here’s my V2, better late than never.
Cassie is a v-neck pattern for woven fabrics. In the original V1 pattern the neckline crossed over, but too many sewists complained about gaping, so the final V2 was switched to a v-neck without the crossover, but including a pair of cute notches. I decided to try the pattern in PyLos LiKnit, a stable knit fabric made from 55% Rayon/45% Nylon. It has about 25% stretch horizontally, but minimal vertical stretch. I treated it as a woven when I sewed. I think it behaved pretty well for this pattern, although it has a little bit more thickness than a woven and it stretches a bit, so it made it harder to get sharp points in the notches and a crisp V. However, the stretch also made the top more comfortable to wear and easier to get on and off.
I cut out a 4p AB cup top with long sleeves and made no pattern modifications. I top stitched all the optional places where it was suggested. My original attempt at sewing down the neck binding was a bit off and caused the v-neck to be uncentered. Fortunately it was pretty easy to unpick and resew (although looking at the finished product now I realize it still isn’t perfectly centered… oh well).
After I sewed the first sleeve on I tried it on and was disappointed to see the sleeve hanging well past my wrist. I’m used to sleeves that are too long on me, but was surprised the sleeve was too long on a petite pattern. Since this sleeve is gathered and the band added before you sew it to the garment, there is no opportunity to check the sleeve length before it is finished. I went back and looked at photos posted by other sewists and noticed that most opted for the 3/4 length rather than the long sleeve. It looks to me like the long sleeves in this pattern just run long. The sleeve bands took a while to construct and I didn’t want to take them apart. So instead I unpicked the sleeve head and cut two inches off the top of the sleeve head. I was able to mark my cutting line by using a ruler to draw dots every inch or so two inches from the top edge of the sleeve. Then I connected the dots. I cut along the line and reattached the sleeves. This time it worked much better. (Warning for other sewists, unless you have particularly long arms, if you sew the long-sleeve version you will likely need to shorten the sleeves!)
Overall, I’m happy with this top. This is not a style I normally wear, and it may be more difficult to layer than my typical long-sleeve tshirts. But it goes well with both wide and skinny jeans as well as black dress pants, and it should not require ironing. I really like this long-sleeve version (now that I shortened the sleeves) but I also like the sleeveless and 3/4 length versions other sewists made.
Sinclair Cassie V1 made of 43” of 52” wide dark sage cotton double gauze, size 4p, modified to remove gathers and wrap sleeve bindings.
My first time doing a pattern test for Sinclair I ended up being the pattern cover girl for the Linda pattern. I haven’t had time to sign up for a pattern test since, but when the Cassie top and dress was announced, it appeared I would have time to make it before heading out on a trip.
Cassie is a woven pattern, and I don’t have a lot of woven fabric in my stash besides the 18 yards of cotton double gauze I bought on clearance last year and a lot of quilting cotton. I was worried that the quilting cotton would be too stiff for this pattern, so I went with dark sage double gauze. But I waited for other sewists to post some initial photos of their makes before cutting. I wasn’t sure I would like the fit of the dress, which appeared to be fairly loose, so I made the top version in a size 4P.
I initially tetrised the pattern in Affinity Designer to fit in 1 yard of 58” fabric before realizing that my fabric was actually 52”. At that width it takes more than a yard of fabric, but i made it all fit in 43″.
The pattern was released for testing with only partial instructions, as the pattern designer made some last minute changes. She updated the instructions a couple of times to add the missing information, but never released the full instruction set. As I worked on my top, I periodically checked the Facebook group for the pattern test to see whether new updates had been released.
The top has a crossover V-neck with cute notches. I wasn’t sure from the line drawing that I would like the notches and was tempted to leave them out. But I’m glad I kept them as they are a really nice and unique detail. The instructions for facing the crossover pieces was pretty easy to follow. The double gauze was a bit of a challenge because it is fairly fluffy and thus hard to get nice sharp points, but I made it work. I regretted trimming the facing to 1/8 inch (as instructed), as it made understitching the gauze more difficult — next time I think I would clip the curve but not trim.
Other sewists complained that the V-neck gaps open — this seemed to be a big problem for larger sizes. Besides the gaping problem, people were complaining that the top was too loose, and some who tried adding the optional ties did not like the look. In addition, there were some complaints about the cap sleeve being too pointy. I suggested that the pattern designer offer a sleeveless option to address the cap sleeve problem, a suggestion she adopted. The pattern designer polled testers about some possible changes and a couple days later posted some new line drawings while she worked on revising the pattern.
I could see from the new drawing that I would need to start over to make the revised design. So I decided to go ahead and finish the top I had started in the mean time. I sewed on the “skirt” and was not happy with the look of the gathered front and back, which looked to me like a maternity top. So I took it apart and cut the gathered pieces down so they would fit in place without gathering. I also graded in the waist a bit and trimmed the point off the cap sleeves.
As the top stitching on the neck facing stands out in the double gauze I decided to mirror the look by making a hem of similar width. I serged the bottom of the top, folded it up .25 inch and then another 1.25 inch, and top stitched it from the front.
The last bit to figure out was the sleeve binding. The pattern included narrow bias binding strips, but the instructions did not detail how to attach them. Having done this sort of binding before for double gauze necklines (on my purple Alva top and my orange Meet You There dress) I had a good idea of how to do the binding and I knew it would be difficult with double gauze. Therefore i cut wider bias binding (1.75 inch) and attached it wrapped around the armscye edges.
I finished my Cassie V1 top before leaving town, and even managed to do a photo shoot. It looks great with my matching PE Vacation Vibes pants, but also looks good with other pants and shorts. it was fun to try out a new pattern and be involved in the discussion of what worked well and what needed improvement. I uploaded photos to the Facebook group right before the pattern designer posted the V2 pattern, but making V2 had to wait until I got back into town a week later.
Photos below of my hacked Cassie V1. The final Sinclair Cassie pattern is now available, and as you will see, no longer includes the crossover front or the horizontal seam in the back. But it still has the cute notches on the neckline and now comes with multiple sleeve options. I’ll post the top I created with the final pattern next.
Wow, I’ve sewn a lot of clothes! To make it easier to find my makes, I’ve put together this index page. You can look for garments by type, or by pattern maker. You can also use the search box in the upper right corner of this page to find more specific items.
The Pattern Emporium Facebook group is filled with lovely Spill the Tea tie-neck blouses. I don’t own any tie neck blouses or even very many woven blouses, but I was intrigued by this pattern, especially the cute cap sleeve version. I normally shy away from any blouse that needs to be ironed or buttoned and has fussy collars or ties that I find always shift around and look sloppy when I wear them. This pattern doesn’t have buttons but I was a little bit uncertain about the tie.
I don’t have a lot of drapey woven fabric in my stash, but I found a couple of yards of medium weight 100% polyester Florence stretch woven in flourishing lavender than I bought last year from Surge, and decided to give Spill the Tea a try. The Florence fabric has a subtle crinkly texture and has a little bit of body but a very fluid drape. It doesn’t need to be ironed and it stretches a bit. The lavender Florence seemed perfect for this blouse, and it allowed me to get one more make with purple thread before changing the thread in my serger (my previous three makes were an Alva double-gauze purple top, Nori purple batik quilters cotton pants, and Be Mine purple double-gauze jacket).
I selected the regular length with the shorter tie and opted for the cap sleeves. I proactively added a 1/2-inch sloped shoulder adjustment and raised the center front opening by 1 inch (both adjustments that I tend to need). I finished the bottom hem by serging the edge and folding it under 1/4 inch twice and top stitching.
The Florence fabric is a bit slippery and made this pattern more challenging. It does hold a press, but takes some effort. The edges start fraying fairly quickly. I made a number of sewing mistakes that required unpicking and resewing, but in the end everything worked out ok. My good sewing machine is still in the shop so I’m using my backup machine, which adds to the challenge. When I sewed the front center seam, I don’t think I used a full 5/8-inch seam allowance, and thus when I turned under the seams and tried to top-stitch them at 1/4-inch, the turned-under seams were slightly too small. I should have serged those edges before turning them under to make sure the turned-under edge was more than 1/4-inch. I also accidentally sewed one of the cap sleeves on inside out (nobody to blame but me for this). The tie assembly is clever and a little bit tricky, and I managed to sew too far into the burrito and sewed the opening closed. But I recovered from all of these mistakes. I did take the advice to hand baste the cap sleeve edges together, and I was glad I did. I was also glad to have a serger to clean up all the fraying edges. With all those mistakes, the pattern wasn’t as much of a quick sew as it should have been.
Despite the mistakes, the end result looks great and has a very professional-looking finish. I really like the folded cap sleeves (no hemming required), and may used them on other patterns. It looks good both tucked in and untucked. We’ll see whether I end up liking tie-front blouses or not. I see from photos that people are wearing the tie sloppy, so I guess that’s the thing to do. I found if I folded it in half before tying it was a bit less sloppy. It also looks good untied. I’m unlikely to wear it tied in a bow.
I don’t think I would sew with the Florence fabric without a serger or a pattern in which all the seams were enclosed. But I like this fabric a lot: drapey with body, a little bit of stretch, opaque, washable, and doesn’t require ironing. I will probably buy more and would like to try making some wide-leg pants with it (and possibly other tops or a dress).
Summer is here and I reached for a pair of shorts to wear out of the house and couldn’t find any I liked. They were all either shorts I wear for playing soccer, shorts I wear for sleeping, shorts that don’t sit where I want them to at my waist, shorts that I find uncomfortable to sit in, or shorts with inadequate pockets. Clearly I need to sew myself some new shorts.
I used the Pattern Emporium Just Peachy stretch shorts pattern to sew up some black PyLos LiKnit shorts. I used this pattern once before to make grey cotton Lycra shorts that I mostly wear for PJs (the yoga waistband is super comfy but doesn’t stay put as well as I would like when I put my phone in my pocket. This time I used the mid rise with the elastic waistband option. I went with length 3, stitched pockets, and back darts. I adjusted the pocket opening to be higher (basically used the bottom of the high-waist pocket opening) — this makes it less likely for things to fall out of my pockets without the need to increase the length of the pocket bags. I stitched the pockets with a zigzag stitch. Next time I will try to cover stitch. I do love the way the look of the binding over the pocket opening edge.
I used the AU10 pattern with the AU8 waistband. I should probably have graded the waist of the leg pieces to match the waistband too — next time.
The rayon/nylon knit LiKnit fabric is very light and these are super lightweight shorts to wear and pack for travel. They look almost like linen shorts but are much softer and easy to care for. They also dry quickly when you get caught in a rainstorm (ask me how I know).
The shorts are modeled here with a short-sleeve 4p screwp neck Sinclair Bondi t-shirt in aqua wide lush poly spandex from Mily Mae Fabrics (which I made last year and may not have blogged). Normally I will wear the shirt untucked but leaving it tucked in here so you can see the shorts waistband and pocket details better.
Overall, I’m happy with these shorts and I have already worn them several times in the hot weather, including on a trip (they travel well!). They fit well but I personally would like them to sit a little higher at my waist, especially in front. Next time I make this pattern I would add a bit of rise, perhaps somewhere between the low-rise and high-rise line, and narrow the pocket bags so my phone will stay vertical.
Sinclair Kai men’s t-shirt, size 38 with waist graded to 42, 1.5 inch shorter than regular length, 1.5 yards cotton Lycra
My husband loves to wear striped t-shirts shirts but finding good striped t-shirt fabric in anything other than alternating white/color stripes is difficult. I bought this yellow striped cotton Lycra fabric when I saw it about a year ago and finally got around to sewing it up last week. I used the Sinclair Kai men’s t-shirt pattern, which I used to make him a sage green short-sleeve striped shirt last summer and two long-sleeve shirts (plus the striped shirt I made him for our family photo shoot last December). He wore the sage shirt a few days ago and one of his friends was surprised to learn I made it and said it looked just like a shirt from the Gap. I used the size 38 short, graded from the waist up to a 42 width to give him a little more ease, and used the regular length hem shortened by 1.5 inches because he never tucks his shirt in.
I gave him his new yellow shirt as part of his birthday present. He seems to like it. It was also the right color for wearing to the Riveters game yesterday.
Pattern Emporium Be Mine Balloon Sleeve top, size AU8, 1.5 yards woven rayon, mid neck, regular length, wide facing, no front seam or button loop, sloped shoulder adjustment
Ok, ignore the silly title, but do check out the lovely balloon sleeves I just made. I do adore them! As with many statement sleeves, they don’t play well with most sweaters (better break out the shawl for chilly days and over air-conditioned rooms), but who wants to hide fun sleeves anyway?
I’ve been wanting to make a Pattern Emporium Be Mine Balloon Sleeve top since it first came out a year-and-a-half ago, but didn’t get around to it until now. I even bought the fabric for it a year ago – a light-weight woven rayon floral from knitfabric.com (yes they sell wovens too). I don’t love that you’re not supposed to put it in the dryer (I did wash and dry it before cutting it so that if it does end up in the dryer sometime it has already been shrunk) and that it requires some ironing, but it was nice to work with and it made a lovely top. (Photographed here with my PE Urban Boldly mashup pants in orange LiKnit.)
I made the regular length with the wide facing option and the mid neckline (after much debate and staring at photos from other sewists). I omitted the front seam. I kept the back seam but omitted the button loop (thus the back seam is really not needed but it adds a little detail). I also did all the optional top stitching (there were too many colors in my fabric to pick one that would blend so I used white thread, which provides a little bit of contrast). After reading posts from a number of other women on the smaller end of the size range that they were sizing down because this over-sized top was a bit too big for them, I sized down from an AU10 to an AU8. I also added a 1/2-inch sloped shoulder adjustment, as that seems to usually make tops hang better for me. Otherwise, I sewed the pattern as written.
The top fits me very well in the size 8 (I’m glad I sized down). I’m short so I could potentially shorten the top a bit, but I think it works pretty well at this length. I often have to shorten sleeves, and these certainly come out longer on me than on many other people, but I actually like how the cuffs sit a bit lower on my arms. I’m also really happy with the mid neckline, which comes out as a scoop for me — the low neckline would have been very low on me.
As with all the PE patterns I’ve tried, the instructions for the Be Mine top are quite thorough and easy to follow. I’m not going to lie — the facings and sleeve binding are a lot of work. I used my serger and my sewing machine with three different feet! But if you take the time to do them right they come out beautifully. I didn’t do everything exactly right the first time: I started sewing a sleeve band on the wrong way and started sewing a hem facing upside down. But I recovered from these minor goofs and got back on track and I still got the whole top done in one Saturday afternoon/evening.
Now I need to figure out what fabric to try next (something with easier laundry requirements, maybe a polyester woven or a cotton double gauze). I would also love to try this as a jacket hack so I can wear these gorgeous sleeves in cooler weather.
I asked my college student what she wanted for her nineteenth birthday and she asked me to make her another pair of her favorite black LiKnit “flowy” pants (PE Urban Boldly pants similar to mine, but adjusted for her taller height).
While I was at it I made her another cropped Bondi (size 4R but graded the waist to a size 0 and then graded the back waist even more, bottom cut at the horizontal waist line shown on the pattern) out of leftover cotton lycra fabric from a shirt I made my husband.
I made her a pair of pants just like this when she went to college, and another pair with the same pattern but in black ponte. I don’t think I have a photo of the ponte pair. She has apparently been wearing these two pairs of pants and the Cleo palazzo pants I made her on repeat all year. In fact I had to rehem two pairs of pants with frayed hems from dragging on the ground and reinforce some threadbare spots.
Bondi is my most-made pattern, and now that I have it adjusted to perfection, I’m making even more. I made two short-sleeve, screwp-neck, 4p Bondi shirts in one evening. I made one from a yard of seafoam and off-white pencil stripe stretch modal jersey that I bought last Fall from Cali Fabrics because it matched my seafoam pants perfectly. I made the other one from a yard of green frost ITY from stylishfabric.com (the color looks like avocado to me) that I ordered last year while collecting greenish fabric options for my daughter’s prom dress. I was in the middle of a lot of light green sewing so I decided to knock these two out before I took the seafoam thread out of my serger.
I cut the striped shirt out carefully and used my fabric glue stick to match the stripes. I was also careful with my placement of the blue stripe in the neck band. I think it came out better than my previous attempts at striped shirts.
I fused all the hems with HeatnBond Soft Stretch and finished with a cover stitch (which did require changing the thread after all, but I did this last after I was done with all my seafoam sewing). I’m still not great at cover stitching, but each time I do it I try to read some tips or watch a video and I’m slowly getting better at it. I can setup my Triumph for cover stitching pretty quickly now, and I have now mastered the technique of pulling the top threads to the bottom at the end so they can be easily tied off. I also realized I was using the wrong table attachment (the hazard of having too many accessories?) and that was making it harder to sew over seams.
I’ve spent the past few months pondering back and shoulder adjustments and trying them out. While making my first Wanderulst dress I realized I needed a swayback adjustment to remove the extra folds of fabric at the back of my waist. But I also noticed that my shoulders slope down quite a bit so I tried a sloped shoulder adjustment as well in my second and third Wanduderlust dresses.
I also noticed that my Sinclair Bondi t-shrts and sweaters didn’t look as good in the back as they did in the front. Here’s one that I made recently in size 6p from rayon/poly/spandex plum sibley brushed sweater knit from Surge Fabrics. The fabric is super soft and stretchy and it fits reasonably well but you can see some minor issues in the back.
Then I made a Bondi sweater with the sloped shoulder adjustment from a washable wool with only about 25% stretch. I noticed that I have more significant drag lines under my arm pits in the back, probably due to the fact that this fabric is not very stretchy. I posted photos in one of the online sewist Facebook groups and someone pointed out to me that my shoulders are both sloped and broad. I set up my cell phone behind me transmitting its camera image to my laptop so I could study my back, and tried on a bunch of different tops and jackets so I could see what was going on.
I made a Bondi t-shirt in size 6p with both sloped and broad shoulder adjustments (and bishop sleeves) from an aqua wide lush poly-spandex fabric from Mily Mae. This was better, but the drag lines were not completely gone.
After studying the black ponte Onyx blazer I made a few months ago, I eventually noticed that the top of the shoulder seam was not actually at the top of my shoulder and had a tendency to slip down my back. I realized that when I pulled my shirt or jacket forward to get the shoulder seam where it belonged, it tended to bunch up around my neck. And this is why I find it uncomfortable to wear most jackets with collars! I thought perhaps what I needed was a forward shoulder adjustment, which involves basically taking the top of the shoulder from the front pattern piece and moving it to the back. I went into Affiinty Designer and moved an inch of the Bondi tshirt pattern (already adjusted for sloped and broad shoulders) from the front to the back and cut out another tshirt. I didn’t take a photo, but the results were not great.
I decided to stick with the sloped and broad shoulder adjustment for my next Bondi in size 4p, made from purple (looks like magenta) monaco rib poly/rayon/spandex from Mily Mae. I think it came out pretty well, despite some minor back issues. I think I’m done adjusting the Bondi for now.
I bought three yards of a beautiful magenta ponte fabric from Mily Mae last year because I love the color (it matches the highlights in my hair) and I love working with this kind of ponte (67% Rayon/28% Nylon/5% Spandex). I thought about making a dress out of it, but eventually decided on a magenta suit. I already have a (store-bought, me altered) purple suit, but I don’t have a pink suit. Magenta is on the more purply side of pink, which means it can be interpreted either as pink or purple.
Unfortunately, magenta doesn’t seem to quite match either pink or purple threads, so I had to order several threads online until I found a close match that I could use for top stitching that would blend into the fabric. None of the Gutermann or Coats & Clark threads I ordered were quite right, but Amann Saba all purpose poly wrapped poly core thread tex 30 color 1059 did the trick.
I used the Boo & Lu Onyx blazer pattern for my magenta suit jacket, with the same modifications I used for my hip length grey ponte version with pockets. I had hoped to get the facings interfaced and catching in the top stitching properly this time, but still ran into problems that required extra gluing and fusing to resolve. I still feel there must be a better way to make the facings, and if I make another Onyx maybe I will figure out what it is.
I used the Pattern Emporium Urban Wide Leg pants pattern to make magenta pants to go with the jacket. I haver previously made three tapered and three wide-leg pants with this pattern (plus a few mashups with this pattern and the PE Walk Boldly pants). I made these size AU10 low-rise (which ends up being high-rise on me), with the waist graded in and the waistband modified to be a contour waistband lined in athletic knit and with elastic added. I added front jeans pockets with straight pocket openings.
Last winter I also bought some super soft purple 86% Poly/12% Rayon/2% Spandex Monaco Rib fabric from Mily Mae, and it turns out to be almost the exact same color as the magenta ponte. Why they don’t call them both by the same name is a mystery to me, but regardless, I clearly needed to make a rib-knit sweater to go with my suit. I used my favorite Sinclair Bondi classic fitted t-shirt patten in size 4p hip length with a screwp neck, adjusted slightly for a broad and sloped shoulder. I cover stitched the hems, using the magenta thread spool and a bobbin wound with the same thread for the needle threads.
The whole outfit looks great together, and I will wear it as a suit with my matching magenta booties! I expect I will also wear the pieces as separates. Although this is a color I wear year round (I also have a cashmere sweater and a winter parka in this color), to me it is really a spring color.
April update: I couldn’t resist some magenta jacket photos with the magnificent magnolia trees in front of my house!
Winters in Pittsburgh are generally relatively mild, but we’ve had more cold days than usual this winter, and the forecast for this coming week predicts more snow and below-freezing temps. I like the instant gratification of sewing in-season items that I can wear right away, so I tend to only sew warm sweaters in the winter and lightweight dresses in the summer. I bought a whole bunch of heavy sweater knits on sale at the end of last winter and only sewed some of them before it got too warm to contemplate wearing them. I was in the middle of futzing with suit jacket pattern adjustments, but decided this week’s forecast called for a new heavy sweater: Something warm and snuggly that can be thrown on over multiple layers and worn on repeat both around the house and outside.
I’ve previously made three Pattern Emporium Sweet Cheeks “roomy” sweaters. But I sized down three sizes to an AU4 and made them all at the cropped length so that they wouldn’t be so roomy. I made a brown mid-scoop neck and a green v-neck out of brushed hacci knit and a purple v-knit out of stretch sweatshirt fleece. This time I decided to go full-on roomy, slouchy and made my normal AU10 size hip length and with a v-neck. I made the pattern without any adjustments other than shortening the sleeves by 1 inch and slightly reducing the diameter of the wrist bands. I used Morraine double cashmere sweater knit from Surge Fabrics in the kelp color. This is a soft 320 gsm 44.5%Rayon/35.9%Poly/19.6%Nylon fabric with 4-way stretch. I used matching Banff ultra thinck 1×1 rib sweater knit for the v-neck, cuffs, and bottom band. (I like the kelp color, even though it isn’t purple. My daughter has a thrifted wool sweater in this color that she wears constantly and I had to darn it when she was home over winter break.)
I cut the sweater out yesterday morning and sewed it all together after dinner. I’m getting better at making all the bands, but they still take some effort. My normal size is, indeed, very roomy, but not too roomy. I think going one size down would still be roomy enough, and if I was using a lighter-weight fabric I think I would want to size down. The hip length gives a very different look than the cropped length, and I like them both. I’m modeling these with PE urban tapered pants in black ponte, but they also look great with leggings or jeans, including my wide-leg cargo jeans for a totally relaxed and slouchy look. (Also, I made the necklace at a ceramics party a few years ago.)
