Category Archives: Love Notions

Colorful Coda Coat

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It’s been over 20 years since I last sewed a quilted jacket (see my first quilted jacket, made in 1999 and my second, made in 2003). Quilted jackets seem to be somewhat fashionable this year, and when I saw the Love Notions Coda Quilted Coat pattern I had to give it a try. I saw lots of people using pre-quilted fabric or turning thrifted quilts into Coda coats (some nice examples and tips here), but since I am a quilter, I decided to piece and quilt my own Coda (some nice examples and tips here). I spent hours asking the Internet to show me quilted coats, and finally settled on using a rainbow of bright batik fabric from my stash in a random-looking pattern of squares and rectangles that I designed. I was inspired by several of the quilted coats I saw, including Thread + Sprout‘s rainbow scrappy patchy jacket. Here’s my finished coat – yes it is very colorful and bright, but sometimes I need that! Now let me tell you all about how I made it.

I started with the size small Coda pattern and projected and cut out lining pieces from batik fabric in my stash. I then basted them together to check the fit of the coat. I decided to make a sloped shoulder adjustment, scoop out the back of the neck a bit, and shorten the sleeves by 2.5 inches. I considered shortening the whole coat since I am 5’2″ and it is drafted for someone 5’5″, but I decided I preferred it to be a little longer (and saw that many other sewists were lengthening their Codas). I could have left the sleeves as-is and cuffed them, but figured the quilt would be bulky so decided to shorten so I would not have to cuff.

Next I needed to decide what type of batting to use. I usually use cotton or fusible polyester cotton batting, but was hoping to make a lighter-weight jacket so looked to see what batting people recommended. I noticed that people who wanted a lighter batting often chose silk or bamboo. I ordered both from Battingsupersale.com (first time ordering from them and was quite pleased) and chose their Simply Bamboo batting because it seemed softer and drapier than the silk.

Next I designed my quilt. I drew out my pattern in Affinity Designer and overlayed it on the Coda pattern pieces. Then I started cutting up my fabric and made a stack of the squares and rectangles needed for each section of the jacket. One piece at a time I laid out each section (guided by a print-out of the design), and pieced it with my quarter-inch guide foot. I pressed the seam allowances in opposite directions so they would butt up to each other nicely, and occasionally applied a dab from my fabric glue pen to achieve perfect alignment.

Once I pieced all the sections, it was time to make the quilt sandwiches. I spread out my bamboo batting on the floor and attached the lining pieces with basting spray, which is basically a light-weight repositionable glue (like on a post-it note). This is the first time I used basting spray, and it was a lot easier than I anticipated. It mostly stayed where I sprayed it and did not have a lot of lingering fumes. I then used the lining pieces as templates to cut out the batting. Then I layered the batting/lining pieces on top of my pieced sections, carefully aligned them, and cut them out. I had designed the pattern so that the front and back pieces all aligned so it was important to get everything lined up properly. I did not use spray baste here because I discovered that the bamboo batting was very clingy and stayed in place just fine on its own without any pins or glue.

Now it was time to quilt. After weighing many quilting options, I decided to go for a simple two-inch grid, quilted with a variegated rainbow polyester thread (with the same thread in the bobbin). I used a hera marker and a ruler to mark the quilt lines, and I quilted it using my walking foot. It mostly went well, but I’ve been having some issues with the bobbin tension on my sewing machine and the stitches are not as even as I would have liked.

After all the pieces were quilted I lined up and carefully attached the pockets. I decided not to bind the tops of the pockets and just folded them under and topstitched. Without binding, they are almost invisible since I matched the pattern and the quilting pretty well. Then I surged around all the edges with pink thread that sort of matched most of the lining.

I had previously considered my construction options. Should I quilt the lining with the top and batting or use a separate lining piece? I decided to quilt the lining because I thought it would further minimize bulk. I think its fine, but you do end up with interior seams that you have to treat. I decided to serge the edges, sew with a half-inch seam allowance, and press open. A nicer option would be to bind them, but I didn’t want to bother. Next time (yes there will be more quilted coats) I may just add a separate lining and keep all those pesky seams hidden from view, as some sewists suggest (this tutorial has lots of great tips).

I ended up sewing the shoulder seams and attaching the sleeves, but leaving the side seams unsewn until after I attached the binding so as to avoid having to bind the sharp corner where the front and the back meet.

The pattern suggests making your own double-fold bias binding tape, something I had never done (I usually bind with French-fold binding, as is common for quilts). But I read that making double-fold bias binding tape was pretty easy to do, especially with the help of a cheap bias tape tool. Some sewists even find making binding tape quite enjoyable. Having now tried it, they are not wrong. I used this nifty technique where you start with a large square, cut it into two triangles, mark them lines parallel to the hypotenuse, and sew them together in a staggered way so that you can use your scissors to cut one long continuous bias trip. Then you run it through your bias tape tool and iron and you have binding. I followed this process with 2-inch strips to make half-inch bias binding. It worked great except that I miscalculated and started with a 15-inch square, and ended up with slightly less binding than I actually needed, so I had to stop attaching the binding and go make some more. Next time I’ll probably go with an 18-inch or 20-inch square to make sure I have more than enough.

Once I made the binding, I followed the pattern instructions to attach it to the jacket by first unfolding it and sewing it to the inside, then wrapping it around to the front and sewing it in place. Instead of pinning it to the front I held it in place with a thin bead of Elmer’s washable school glue, and then set it with my iron (you can still easily peel it off, even after ironing). Yes, I have really embraced the use of adhesives in sewing – for this project I used basting spray, fabric glue pen, and Elmer’s glue. Once the binding was in place, I stitched it near the edge, sewed up the side seams, added a label, and I was done.

I tried it on and was fairly pleased with the results, but despite my use of bamboo batting, it was still pretty stiff. I decided it needed to go through a round of washing and drying to loosen it up a bit, shrink it slightly, and turn it into its natural puckered shape. If you never wash a quilt you can keep it nice and crisp, but I plan to wear this one enough that it will need to be washed, so I figured I might as well get that over with now and soften it up in the process. I always have a little bit of fear about washing a quilt though. I tossed it in my washer on delicate cycle with Woolite, and then after a quick spin in the dryer it was ready to wear (and much more comfortable now).

This project took a bit longer than most of the clothes I make because first I had to make a quilt and then turn it into a jacket. It would be much faster with pre-quilted fabric or cutting up an old quilt. But I really enjoyed both the process and the very colorful results!

Join the Chorus

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In the end, my Love Notions Chorus drape-neck blouse looks pretty nice, but I found it to be a rather frustrating pattern to sew, in part because the pattern doesn’t include very detailed instructions, and in part because it seems to be especially problematic for small sizes. The pattern has a variety of options, including shallow and deep drapes in the front and back or a plain back, plus it can be a top or a dress and have a variety of sleeves or not. I decided to make a plain back, deep drape front sleeveless blouse in size small out of a yard of slate blue ITY from my stash. I initially cut out the pattern as drafted, except I shortened the front by 2.5 inches and removed the side vents.

I had read the Love Notions Facebook group and had seen some complaints about the deep drape being too deep in small sizes and for short people (I’m 5’2″), so I cut the deep drape and basted it together just enough to be able to test it. Sure enough, the drape was too deep on me. If I positioned it just right it looked great, but if I moved the drape shifted and revealed my bra. I took a photo of the problem and posted it to the Facebook group, and within minutes I received suggestions for fixing the problem. Some suggested workarounds such as taping the drape to my bra or adding boning to keep the drape centered. However, there were also some marked up diagrams of how to adjust the pattern.

Inspired by those diagrams, I looked at the pattern again and realized that I could align the shallow and deep drape and see where they differed. I then drew a new cut line between the shallow and deep drape lines. While I was at it, I fixed another problem I had observed: the seam where the back facing and front drape line up at the shoulder didn’t quite match because the back facing edge was slightly longer. I thought it might be easier to get the shoulder and back facing to lie flat if everything lined up. So I adjusted my new cut line to be the right length to match the shoulder seam. You can see here the outline of the deep-drape front in blue, the shallow-drape front in green, and my new cut line in red.

I unpicked the shoulder seams, recut the top of the drape based on the new red line I drew on the pattern, and sewed it back together. This time the drape was just right. Although the pattern doesn’t call for it, I put a few stitches in the outer shoulder edges to hold the facing in place.

Next I started working on the arm hole binding. This is a point in the instructions were more details and a photo or two would be helpful. I wasn’t sure whether to sew the binding on with a stretch stitch, straight stitch, or surger. After consulting with the Facebook group, I used a stretch stitch to sew one of the bindings, but was not happy with it so I unpicked it and tried again. After much futzing I ended up flipping the binding to the inside instead of using the wrap around binding the pattern calls for. I did not execute it all that well on the first side, but it came out better on the second, but still more puckered than I would like. I suspect my binding might be a bit too short for the size of the arm holes.

Once the arm holes were bound I tried the blouse on and found that the back facing kept rolling up and sticking out the back of the neck, despite being understitched. I tried top stitching close to the edge, which helped some, but not enough. I added another row of top stitching 5/8-inch from the edge and pressed, the seam, which ended up being a lot better.

Finally, I hemmed the top and here it is! Overall I like it and if I make another one it should be a pretty quick project. I might try one with sleeves instead of arm bindings, or if I try another one with bindings I will probably try adding about half an inch to the length of the bindings so the bindings do not have to stretch as much. I might also try adding some shaping to the waist. I think a shorter facing, and possibly even a binding for the back neck would work better too. You can see in the back photo that the outline of the ITY facing.

Photos above with Pattern Emporium Urban Boldly mashup pants in seafoam LiKnit.

Pants fitting with slim pants, two ways

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Having now successfully made several pairs of wide-leg and palazzo pants, I decided to give slim pants a try. I made two pairs of grey slim pants this week, with two different types of fabric and patterns. Neither came out quite as I had hoped they would, but they are wearable and I learned a lot about pants fitting in the process, and also why I should probably just stick with wide-leg pants.

Take 1: Pattern Emporium Urban Pants Collection

I was so happy with my Pattern Emporium Walk Boldly pants, that I wanted to check out other Pattern Emporium pants. I saw the Urban Pants Collection for knit fabrics, which includes in a high rise with back darts, similar to Walk Boldly, and decided to give the pattern a try. The collection includes wide leg, tapered, and flared pants patterns, all with yoga waist bands and a jeans pocket option.

I selected the tapered style for my first pair. I was originally going to use a grey ponte fabric, but read the warning about the pattern not working well with some pontes, and I decided not to take the chance. Also, the pattern designer highly recommended doing a fit test. So I used some grey cotton lycra from my stash that is soft and comfy but doesn’t have great recovery, so I’ve been reluctant to use it for anything I really care about. I figured it would at least make a comfy pair of PJ pants.

I cut out the pants in size 10 with a size 8 waist band. Since I’m 5’2 I shortened the pants by 2 inches, and because I love big pockets, I added 2 inches to the length of the pocket bags. I also zigzag stitched a circle of half-inch elastic inside the waistband fold because I often have trouble with yoga waistbands staying in place when I put things in my pockets and I prefer the feel of a snug waistband to feeling like my pants are falling down all the time.

The pants went together pretty quickly and easily, and the pattern was easy to follow. The bad-recovery fabric made the pocket construction a little finicky, and cause the top of the pockets to stretch out a bit. My 2-inch pocket extension was probably over kill on these pants and 1 inch would be sufficient. The length ended up maybe a tad short, but they look ok with a 5/8-inch hem (held in place with fusible hem tape and then finished with a narrow zigzag stitch). I could probably have shortened by 1 inch instead of 2.

I struggled a bit with stretching the waistband as I sewed it to the pants with my serger. I ended up with a couple of unwanted puckers, so I unpicked part of the waistband and sewed it again. It worked better the second time, but it wasn’t quite as smooth as I would like. I had pinned it in 8 places, and clearly next time I should add more pins (as the pattern designer recommended). Another option I might consider next time is to split the waistband into two pieces and angle the sides so the bottom is a size 10 and the top is a size 8, which means there is less stretching of the bottom needed. Adding a contour to the waistband could also work.

After finishing the pants, I scrutinized the fit to see if any of the extensive modification described in the pattern tutorial were needed. I thought it looked pretty good as-is, and my husband (who is not afraid to tell me the dress I just sewed looks like a sack) agreed. They don’t cling too much to my bottom or hips. They do cling to my calves a bit, which causes some wrinkling at the knees, so perhaps I should adjust a bit for wider calves.

These are pants I will wear with t-shirts on weekends (or as pajamas). The grey CL fabric gives them an athletic vibe, and they look like joggers without bottom cuffs. I like the back darts and the yoga waistband (except for the unwanted puckers. I think they fit pretty well, although I think they look better when my shirt is not tucked in, so that’s how I will likely wear them most of the time.

I would like to try another pair in a dressier looking fabric that has better recovery. I’m still not sure whether these would work well in ponte. I will probably try the wide-leg version in ponte first. The wide-leg style is not as wide or high waisted as the Walk Boldly pants (and it has the same yoga waist band as the tapered style, while the Walk Boldly pants use an elastic waist band), and the Urban pants use a lot less fabric. Unlike the Walk Boldly pants, the Urban pants do not have back pockets, but I think I could borrow the pocket design from the Walk Boldly pants and add pockets to these.

(I modeled the pants above with one of the first Sinclair Bondi shirts I made, and never blogged about, in a yellow cotton lycra print and wide scoop neck.)

Take 2: Love Notions Patterns Sabrina Slims

I still wanted to make a pair of slim pants with my grey ponte fabric, a stretchy 320 gsm viscose/nylon ponte in the wrought iron color from Surge Fabrics. I looked for other slim pull-on pants with high-waist options and pockets that listed ponte among their recommended fabrics. I decided to try the Sabrina Slims pants from Love Notions Sewing Patterns. This pattern is intended for stretch woven fabrics and stable knits. It has jeans pockets and patch pockets, and a 2-inch elastic contoured waist band.

This pattern instructions are a bit terse and the pattern does not come with as many explicit instructions and suggestions or diagrams as some of the other patterns I’ve been using. I have enough experience that this wasn’t a problem for me, but I think it makes this less of a beginner-friendly pattern when there’s actually not much particularly difficult about it. I followed the measurement instructions and selected a size 6 based on my hip measurement, as recommended. I noted that my thighs were size 8 and my waist and calf were size 10 (although based on the finished measurements there is a lot of extra room in the waist so a size 6 waist should be quite ample in a stretchy fabric). I graded the inseam on the front and back pieces to a size 10 but left the rest a size 6. I also extended the pocket bags to have room for my phone. I cut out a 28-inch inseam, which is longer than I expected to need but would give me room for error.

The pattern comes with a fit handbook, which was very helpful. They recommended sewing a muslin for a fit test and offered suggestions for a quick a dirty approach to basting the muslin together. I decided to take a chance and cut my muslin from my grey ponte fabric in the hope that it would be wearable by the time I got done with it. I basted it all together (using the recommended 3/8-inch seam allowance) and tried it on, and was not too happy with it. The front looked ok, but the back was too tight against my bottom, and the sides puckered where my hip crease is, and the fabric had folds around my knees. I read the fit guide but wasn’t entirely sure what to do, so I posted some photos to the Love Notions Pattern Support Facebook group and asked for help. I received a large number of responses, which was great. People pointed out that these pants were fitting me more like leggings. People suggested sizing up and sewing with a smaller seam allowance, offered tips on scooping the crotch or lengthening the crotch seam, noted that the fabric was pulling on my calves, pointed out that I have hip dips, suggested better underwear choices, and wondered whether my troubles were caused by the heavy ponte fabric. They also sent me pointers to a number of pants fitting videos. The “Lifting Pins and Needles” pants fitting video series was very informative.

From all this I learned a number of things. First, I had been oblivious to the fact that the shape of my hips has a name (hip dips). Now that I know the name I have learned that my inadvertent discoveries about selecting flattering clothes align pretty well with what people recommend: wear wide-leg pants and fit-and-flare dresses. Next I learned that I have largish calf muscles, something that had never occurred to me before – I don’t think they are enormous, but they are indeed larger than the pattern measurements for my size. Now I understand why none of the slim pants I own are smooth over the knees: they are all getting pulled by my calves. Going forward, I guess I will widen the calves of any slim pants I sew. From the videos, I learned how to measure myself for pants and adjust patterns based on this, something I will do before attempting another pair of slim pants.

I decided to try to salvage the muslin, so I removed all the basting and sewed the pants together with my serger using a 3/16-inch seam allowance everywhere except on the waistband, which makes it closer to a size 8 instead of a size 6. I also did some scooping of the back crotch and I recut the extended pocket bag in purple ITY to reduce the bulk since the ponte is pretty thick.

After I got it all sewed together and added the back patch pockets, I tried it on and found that my changes had helped improve the fit somewhat. The back and hips looked better, but my hip dip was still prominent. There was a bit more room in the legs, but still not enough for my calves. I think I may have inadvertently added too much to the front crotch, which you can kind of see in the side view. The patch pockets also served as a camouflage, although I’m not entirely happy with the pocket placement, and would move them closer together, lower the outer corners, and also consider slightly smaller pockets next time (the pattern offers the same size patch pockets regardless of pants size). The waistband did not sit smoothly and was a big disappointment. While I was focussing on making my butt look better I hadn’t noticed the waistband problem, and just assumed the gaps were due to the fact that I hadn’t attached it completely. But now I see that the waistband is actually too big for me and I should have either sized down or added more of a contour. With the elastic it fits and isn’t going to gap or fall down, but it isn’t as smooth as I would like. I decided that the muslin was about as good as it was going to be, so I went ahead and finished the pants, cutting 1 inch off the bottom of each leg and sewing a 1-inch hem (effectively a 27″ inseam).

The muslin is wearable and I expect I will wear it, despite the flaws. It looks much better if I wear a longer shirt and don’t tuck it in. I expect I will likely wear these pants with a longer sweater or jacket and they will look fine. The ponte is actually super comfortable to wear and it has a somewhat dressy look.

My sense from reading the Facebook group is that other people did not have as much trouble with this pattern. The pattern states “as sizes get larger, the less negative ease there is.” With less negative ease in larger sizes, I think the pattern would be more forgiving. My choice of fabric may have played a role in my difficulties, but I’m not sure. And in the end, although these pants do not have my ideal fit, they fit similarly to most of the slim fit pants I have bought in a store. So maybe Ill make more adjustments and try again, but probably I’ll go back to wide-leg pants for a while.

Conclusions

This wasn’t a controlled experiment because I used very different fabric for the two pants. Nonetheless, I can make some comparisons. The Sabrina Slims are a slimmer style: the Urban tapered pants include a lot more ease. I expect to make the Sabrina slims look better on me would require a number of adjustments to the crotch, waistband, and calves, while the Urban tapered pants would likely need only a more minor calf and waistband adjustment and optionally the addition of back pockets. The back darts and fit with more ease are likely going to make it easer to get a good fit on the Urban pants for me and I am curious to see how they will look in ponte. However, I do like the slim look and it may be worth making more adjustments to the Sabrina Slims to get a slim pants pattern I can use for both dressier pants and pull-on jeans. Or maybe I’ll just stick with wide-leg pants for a while.

Update, 1 week later

So I wore the Sabrina Slims to work with a long jacket, and loved how comfortable they were. They feel like secret pajama pants (and after my daughter suggested it, I discovered that I could fit a water bottle in one of the back pockets). Most of the flaws I wrote about above didn’t really bother me, but I was still unhappy with the waist band. So after running through the wash, I took a pair of scissors and cut off the entire waist band. Then I cut off the bottom stitches, removed the elastic, and reduced the circumference of the waist band by about 2 inches. I carefully basted and then sewed the whole thing together. Now the waist band was smaller than the pants, so I had to stretch it as I sewed, similar to sewing a yoga waistband. Because I cut the waistband off instead of unpickiing it, I lost about 3/4-inch of rise in both the front and back. However, I realized from wearing the pants that I had more rise than I needed. Then I threaded the elastic back in and tried on the pants. I think they look a lot better now, despite a wee bit of puckering in the back. There are still some issues that I will try to address when I make this pattern again (more tweaking of the crotch and seat, more room through the thighs and calves, slightly smaller and better placed pockets), but I’m now pretty happy with these pants and I expect I will wear them frequently.